Permacinema

This article charts the contiguity of farming and film, blending permaculture and cinema to advance a modality of sustainable film theory and practice we call “permacinema.” As an alternative approach to looking and labour, permaculture exhibits a suite of cinematic concerns, and offers a model for...

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Bibliographic Details
Main Authors: Anat Pick, Chris Dymond
Format: Article
Language:English
Published: MDPI AG 2022-10-01
Series:Philosophies
Subjects:
Online Access:https://www.mdpi.com/2409-9287/7/6/122
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author Anat Pick
Chris Dymond
author_facet Anat Pick
Chris Dymond
author_sort Anat Pick
collection DOAJ
description This article charts the contiguity of farming and film, blending permaculture and cinema to advance a modality of sustainable film theory and practice we call “permacinema.” As an alternative approach to looking and labour, permaculture exhibits a suite of cinematic concerns, and offers a model for cinematic creativity that is environmentally accountable and sensitive to multispecies entanglements. Through the peaceable gestures of cultivation and restraint, permacinema proposes an ecologically attentive philosophy of moving images in accordance with permaculture’s three ethics: care of earth, care of people, and fair share. We focus on work by Indigenous artists in which plants are encountered not only as raw material or as aesthetic resource but as ingenious agents and insightful teachers whose pedagogical and creative inputs are welcomed into the filmmaking process. By integrating Indigenous epistemologies and cosmologies we hope to situate permacinema in the wider project of cinema’s decolonization and rewilding.
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spelling doaj.art-e47d8525fad1416b94ab683d5b136b222024-04-03T03:54:48ZengMDPI AGPhilosophies2409-92872022-10-017612210.3390/philosophies7060122PermacinemaAnat Pick0Chris Dymond1Department of Film, School of Languages, Linguistics and Film, Queen Mary University of London, London E1 4NS, UKDepartment of Film, School of Languages, Linguistics and Film, Queen Mary University of London, London E1 4NS, UKThis article charts the contiguity of farming and film, blending permaculture and cinema to advance a modality of sustainable film theory and practice we call “permacinema.” As an alternative approach to looking and labour, permaculture exhibits a suite of cinematic concerns, and offers a model for cinematic creativity that is environmentally accountable and sensitive to multispecies entanglements. Through the peaceable gestures of cultivation and restraint, permacinema proposes an ecologically attentive philosophy of moving images in accordance with permaculture’s three ethics: care of earth, care of people, and fair share. We focus on work by Indigenous artists in which plants are encountered not only as raw material or as aesthetic resource but as ingenious agents and insightful teachers whose pedagogical and creative inputs are welcomed into the filmmaking process. By integrating Indigenous epistemologies and cosmologies we hope to situate permacinema in the wider project of cinema’s decolonization and rewilding.https://www.mdpi.com/2409-9287/7/6/122permacinemapermaculturethe vegetal turnindigenous filmphytographyecocinema
spellingShingle Anat Pick
Chris Dymond
Permacinema
Philosophies
permacinema
permaculture
the vegetal turn
indigenous film
phytography
ecocinema
title Permacinema
title_full Permacinema
title_fullStr Permacinema
title_full_unstemmed Permacinema
title_short Permacinema
title_sort permacinema
topic permacinema
permaculture
the vegetal turn
indigenous film
phytography
ecocinema
url https://www.mdpi.com/2409-9287/7/6/122
work_keys_str_mv AT anatpick permacinema
AT chrisdymond permacinema