Permacinema
This article charts the contiguity of farming and film, blending permaculture and cinema to advance a modality of sustainable film theory and practice we call “permacinema.” As an alternative approach to looking and labour, permaculture exhibits a suite of cinematic concerns, and offers a model for...
Main Authors: | , |
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Format: | Article |
Language: | English |
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MDPI AG
2022-10-01
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Series: | Philosophies |
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Online Access: | https://www.mdpi.com/2409-9287/7/6/122 |
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author | Anat Pick Chris Dymond |
author_facet | Anat Pick Chris Dymond |
author_sort | Anat Pick |
collection | DOAJ |
description | This article charts the contiguity of farming and film, blending permaculture and cinema to advance a modality of sustainable film theory and practice we call “permacinema.” As an alternative approach to looking and labour, permaculture exhibits a suite of cinematic concerns, and offers a model for cinematic creativity that is environmentally accountable and sensitive to multispecies entanglements. Through the peaceable gestures of cultivation and restraint, permacinema proposes an ecologically attentive philosophy of moving images in accordance with permaculture’s three ethics: care of earth, care of people, and fair share. We focus on work by Indigenous artists in which plants are encountered not only as raw material or as aesthetic resource but as ingenious agents and insightful teachers whose pedagogical and creative inputs are welcomed into the filmmaking process. By integrating Indigenous epistemologies and cosmologies we hope to situate permacinema in the wider project of cinema’s decolonization and rewilding. |
first_indexed | 2024-03-09T15:57:52Z |
format | Article |
id | doaj.art-e47d8525fad1416b94ab683d5b136b22 |
institution | Directory Open Access Journal |
issn | 2409-9287 |
language | English |
last_indexed | 2024-04-24T14:30:32Z |
publishDate | 2022-10-01 |
publisher | MDPI AG |
record_format | Article |
series | Philosophies |
spelling | doaj.art-e47d8525fad1416b94ab683d5b136b222024-04-03T03:54:48ZengMDPI AGPhilosophies2409-92872022-10-017612210.3390/philosophies7060122PermacinemaAnat Pick0Chris Dymond1Department of Film, School of Languages, Linguistics and Film, Queen Mary University of London, London E1 4NS, UKDepartment of Film, School of Languages, Linguistics and Film, Queen Mary University of London, London E1 4NS, UKThis article charts the contiguity of farming and film, blending permaculture and cinema to advance a modality of sustainable film theory and practice we call “permacinema.” As an alternative approach to looking and labour, permaculture exhibits a suite of cinematic concerns, and offers a model for cinematic creativity that is environmentally accountable and sensitive to multispecies entanglements. Through the peaceable gestures of cultivation and restraint, permacinema proposes an ecologically attentive philosophy of moving images in accordance with permaculture’s three ethics: care of earth, care of people, and fair share. We focus on work by Indigenous artists in which plants are encountered not only as raw material or as aesthetic resource but as ingenious agents and insightful teachers whose pedagogical and creative inputs are welcomed into the filmmaking process. By integrating Indigenous epistemologies and cosmologies we hope to situate permacinema in the wider project of cinema’s decolonization and rewilding.https://www.mdpi.com/2409-9287/7/6/122permacinemapermaculturethe vegetal turnindigenous filmphytographyecocinema |
spellingShingle | Anat Pick Chris Dymond Permacinema Philosophies permacinema permaculture the vegetal turn indigenous film phytography ecocinema |
title | Permacinema |
title_full | Permacinema |
title_fullStr | Permacinema |
title_full_unstemmed | Permacinema |
title_short | Permacinema |
title_sort | permacinema |
topic | permacinema permaculture the vegetal turn indigenous film phytography ecocinema |
url | https://www.mdpi.com/2409-9287/7/6/122 |
work_keys_str_mv | AT anatpick permacinema AT chrisdymond permacinema |