Popolo, nazione e patria nelle prime opere polacche (1778–1794)
At the end of the eighteenth century, the concepts of people, nation and homeland influenced the first Polish operas, whose topics were set in the countryside. Librettos and music incorporated authentic elements drawn from the speech and folk songs of different regions. In particular, King Stanisław...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
ZRC SAZU, Založba ZRC
2016-10-01
|
| Series: | De Musica Disserenda |
| Subjects: | |
| Online Access: | https://ojs.zrc-sazu.si/dmd/article/view/4732 |
| Summary: | At the end of the eighteenth century, the concepts of people, nation and homeland influenced the first Polish operas, whose topics were set in the countryside. Librettos and music incorporated authentic elements drawn from the speech and folk songs of different regions. In particular, King Stanisław August Poniatowski promoted the Enlightenment ideals of “rural opera”, connected with the improvement of the wretched social conditions of the peasantry (i.e., the people or nation). Moreover, the concept of the fatherland is recognizable in Kantata w dzień inauguracji statui króla Jana III (Warsaw 1788). |
|---|---|
| ISSN: | 1854-3405 2536-2615 |