The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th Century

In the Seventeenth Century, Italian wedding cerimonies were followed up by the production of celebrative printings that the literary academies offered to the most illustrious families. In the context of those libretti per Nozze («publicaciones de ocasión» in Spanish), the inlustration played an impo...

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Main Author: Emilia Montaner
Format: Article
Language:English
Published: University of Bologna 2014-09-01
Series:TECA
Subjects:
Online Access:https://teca.unibo.it/article/view/16253
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author Emilia Montaner
author_facet Emilia Montaner
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description In the Seventeenth Century, Italian wedding cerimonies were followed up by the production of celebrative printings that the literary academies offered to the most illustrious families. In the context of those libretti per Nozze («publicaciones de ocasión» in Spanish), the inlustration played an important role. Focusing in particular on the famous painter and engraver Giovanni Luigi Valesio, this essay explores the relationship between iconography, texts and artistic models the nuptialia were based on in the city of Bologna during the Baroque period.
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spelling doaj.art-e4e11cdd38b14cbd95979c8fb183d74f2023-02-09T10:03:58ZengUniversity of BolognaTECA2282-10072240-36042014-09-014693010.6092/issn.2240-3604/1625314605The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th CenturyEmilia Montaner0Universidad de SalamancaIn the Seventeenth Century, Italian wedding cerimonies were followed up by the production of celebrative printings that the literary academies offered to the most illustrious families. In the context of those libretti per Nozze («publicaciones de ocasión» in Spanish), the inlustration played an important role. Focusing in particular on the famous painter and engraver Giovanni Luigi Valesio, this essay explores the relationship between iconography, texts and artistic models the nuptialia were based on in the city of Bologna during the Baroque period.https://teca.unibo.it/article/view/16253wedding bookletsnuptialiagiovanni luigi valesiobolognaprinting press
spellingShingle Emilia Montaner
The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th Century
TECA
wedding booklets
nuptialia
giovanni luigi valesio
bologna
printing press
title The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th Century
title_full The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th Century
title_fullStr The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th Century
title_full_unstemmed The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th Century
title_short The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th Century
title_sort most flowery parnassus fables allegories and emblems in bolognese nuptial books of the first half of the 17th century
topic wedding booklets
nuptialia
giovanni luigi valesio
bologna
printing press
url https://teca.unibo.it/article/view/16253
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