The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th Century
In the Seventeenth Century, Italian wedding cerimonies were followed up by the production of celebrative printings that the literary academies offered to the most illustrious families. In the context of those libretti per Nozze («publicaciones de ocasión» in Spanish), the inlustration played an impo...
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Format: | Article |
Language: | English |
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University of Bologna
2014-09-01
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Online Access: | https://teca.unibo.it/article/view/16253 |
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author | Emilia Montaner |
author_facet | Emilia Montaner |
author_sort | Emilia Montaner |
collection | DOAJ |
description | In the Seventeenth Century, Italian wedding cerimonies were followed up by the production of celebrative printings that the literary academies offered to the most illustrious families. In the context of those libretti per Nozze («publicaciones de ocasión» in Spanish), the inlustration played an important role. Focusing in particular on the famous painter and engraver Giovanni Luigi Valesio, this essay explores the relationship between iconography, texts and artistic models the nuptialia were based on in the city of Bologna during the Baroque period. |
first_indexed | 2024-04-10T16:24:01Z |
format | Article |
id | doaj.art-e4e11cdd38b14cbd95979c8fb183d74f |
institution | Directory Open Access Journal |
issn | 2282-1007 2240-3604 |
language | English |
last_indexed | 2024-04-10T16:24:01Z |
publishDate | 2014-09-01 |
publisher | University of Bologna |
record_format | Article |
series | TECA |
spelling | doaj.art-e4e11cdd38b14cbd95979c8fb183d74f2023-02-09T10:03:58ZengUniversity of BolognaTECA2282-10072240-36042014-09-014693010.6092/issn.2240-3604/1625314605The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th CenturyEmilia Montaner0Universidad de SalamancaIn the Seventeenth Century, Italian wedding cerimonies were followed up by the production of celebrative printings that the literary academies offered to the most illustrious families. In the context of those libretti per Nozze («publicaciones de ocasión» in Spanish), the inlustration played an important role. Focusing in particular on the famous painter and engraver Giovanni Luigi Valesio, this essay explores the relationship between iconography, texts and artistic models the nuptialia were based on in the city of Bologna during the Baroque period.https://teca.unibo.it/article/view/16253wedding bookletsnuptialiagiovanni luigi valesiobolognaprinting press |
spellingShingle | Emilia Montaner The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th Century TECA wedding booklets nuptialia giovanni luigi valesio bologna printing press |
title | The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th Century |
title_full | The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th Century |
title_fullStr | The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th Century |
title_full_unstemmed | The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th Century |
title_short | The Most Flowery Parnassus. Fables, Allegories and Emblems in Bolognese Nuptial Books of the First Half of the 17th Century |
title_sort | most flowery parnassus fables allegories and emblems in bolognese nuptial books of the first half of the 17th century |
topic | wedding booklets nuptialia giovanni luigi valesio bologna printing press |
url | https://teca.unibo.it/article/view/16253 |
work_keys_str_mv | AT emiliamontaner themostfloweryparnassusfablesallegoriesandemblemsinbolognesenuptialbooksofthefirsthalfofthe17thcentury AT emiliamontaner mostfloweryparnassusfablesallegoriesandemblemsinbolognesenuptialbooksofthefirsthalfofthe17thcentury |