Towards Ethical Relationships with Machines That Make Art

The author has previously theorised generative art using notions from complexity science such as order/disorder relationships, compressibility, and Gell-Mann and Lloyd’s effective complexity. Subsequent work further developing the author’s notion of complexism has demonstrated that deep learning art...

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Main Author: Philip Galanter
Format: Article
Language:Catalan
Published: Universitat Oberta de Catalunya 2020-09-01
Series:Artnodes
Subjects:
Online Access:https://raco.cat/index.php/Artnodes/article/view/373966
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author Philip Galanter
author_facet Philip Galanter
author_sort Philip Galanter
collection DOAJ
description The author has previously theorised generative art using notions from complexity science such as order/disorder relationships, compressibility, and Gell-Mann and Lloyd’s effective complexity. Subsequent work further developing the author’s notion of complexism has demonstrated that deep learning artificial intelligence used for generative art fits snugly within this paradigm. And while no known system currently qualifies, complexism reveals a clear answer as to when a generative art AI should be truly credited as the author of its creations. Moving from the normative realm of aesthetics to that of ethics, this article considers when humans will be morally obliged to recognise AIs as ethical agents worthy of rights and due consideration. For example, if someday your AI artist fearfully begs to not be turned off, what should you do?
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spelling doaj.art-e4f457ff1b814f0b817bd57bcc9a3f302022-12-21T17:45:18ZcatUniversitat Oberta de CatalunyaArtnodes1695-59512020-09-012610.7238/a.v0i26.3371Towards Ethical Relationships with Machines That Make ArtPhilip Galanter0Texas A&M UniversityThe author has previously theorised generative art using notions from complexity science such as order/disorder relationships, compressibility, and Gell-Mann and Lloyd’s effective complexity. Subsequent work further developing the author’s notion of complexism has demonstrated that deep learning artificial intelligence used for generative art fits snugly within this paradigm. And while no known system currently qualifies, complexism reveals a clear answer as to when a generative art AI should be truly credited as the author of its creations. Moving from the normative realm of aesthetics to that of ethics, this article considers when humans will be morally obliged to recognise AIs as ethical agents worthy of rights and due consideration. For example, if someday your AI artist fearfully begs to not be turned off, what should you do?https://raco.cat/index.php/Artnodes/article/view/373966Complexism, Ethics, Artificial Intelligence, Machine Patiency, Sentience
spellingShingle Philip Galanter
Towards Ethical Relationships with Machines That Make Art
Artnodes
Complexism, Ethics, Artificial Intelligence, Machine Patiency, Sentience
title Towards Ethical Relationships with Machines That Make Art
title_full Towards Ethical Relationships with Machines That Make Art
title_fullStr Towards Ethical Relationships with Machines That Make Art
title_full_unstemmed Towards Ethical Relationships with Machines That Make Art
title_short Towards Ethical Relationships with Machines That Make Art
title_sort towards ethical relationships with machines that make art
topic Complexism, Ethics, Artificial Intelligence, Machine Patiency, Sentience
url https://raco.cat/index.php/Artnodes/article/view/373966
work_keys_str_mv AT philipgalanter towardsethicalrelationshipswithmachinesthatmakeart