Introduction: Shakespeare and/in Europe: Connecting Voices

Recent Shakespearean productions, just like current European crises, have highlighted the exclusionary nature of European identity. In defining the scope of this special issue, the aim of this introduction is to shift the study of Shakespeare in/and Europe away from the ideological field of “unity w...

Full description

Bibliographic Details
Main Author: Nicole Fayard
Format: Article
Language:English
Published: Lodz University Press 2019-06-01
Series:Multicultural Shakespeare
Subjects:
Online Access:https://czasopisma.uni.lodz.pl/szekspir/article/view/5745
_version_ 1811231241019588608
author Nicole Fayard
author_facet Nicole Fayard
author_sort Nicole Fayard
collection DOAJ
description Recent Shakespearean productions, just like current European crises, have highlighted the exclusionary nature of European identity. In defining the scope of this special issue, the aim of this introduction is to shift the study of Shakespeare in/and Europe away from the ideological field of “unity within diversity” and its attendant politics of negotiation and mediation. Instead, it investigates whether re-situating Shakespearean analysis within regimes of exclusionary politics and group conflict attitudes helps to generate dynamic cultural and social understandings. To what effect is Shakespeare’s work invoked in relation with the tensions inherent in European societies? Can such invocations encourage reflections on Europe as a social, political and/or cultural entity? Is it possible to conceptualize Shakespearean drama as offering an effective instrument that connects―or not―the voices of the people of Europe?
first_indexed 2024-04-12T10:40:45Z
format Article
id doaj.art-e50c8a92f97840c4b42d498220217878
institution Directory Open Access Journal
issn 2300-7605
language English
last_indexed 2024-04-12T10:40:45Z
publishDate 2019-06-01
publisher Lodz University Press
record_format Article
series Multicultural Shakespeare
spelling doaj.art-e50c8a92f97840c4b42d4982202178782022-12-22T03:36:35ZengLodz University PressMulticultural Shakespeare2300-76052019-06-01193493010.18778/2083-8530.19.015745Introduction: Shakespeare and/in Europe: Connecting VoicesNicole Fayard0University of Leicester, UKRecent Shakespearean productions, just like current European crises, have highlighted the exclusionary nature of European identity. In defining the scope of this special issue, the aim of this introduction is to shift the study of Shakespeare in/and Europe away from the ideological field of “unity within diversity” and its attendant politics of negotiation and mediation. Instead, it investigates whether re-situating Shakespearean analysis within regimes of exclusionary politics and group conflict attitudes helps to generate dynamic cultural and social understandings. To what effect is Shakespeare’s work invoked in relation with the tensions inherent in European societies? Can such invocations encourage reflections on Europe as a social, political and/or cultural entity? Is it possible to conceptualize Shakespearean drama as offering an effective instrument that connects―or not―the voices of the people of Europe?https://czasopisma.uni.lodz.pl/szekspir/article/view/5745group conflictexclusioneuropepoliticshistoryreligionsocialreception
spellingShingle Nicole Fayard
Introduction: Shakespeare and/in Europe: Connecting Voices
Multicultural Shakespeare
group conflict
exclusion
europe
politics
history
religion
social
reception
title Introduction: Shakespeare and/in Europe: Connecting Voices
title_full Introduction: Shakespeare and/in Europe: Connecting Voices
title_fullStr Introduction: Shakespeare and/in Europe: Connecting Voices
title_full_unstemmed Introduction: Shakespeare and/in Europe: Connecting Voices
title_short Introduction: Shakespeare and/in Europe: Connecting Voices
title_sort introduction shakespeare and in europe connecting voices
topic group conflict
exclusion
europe
politics
history
religion
social
reception
url https://czasopisma.uni.lodz.pl/szekspir/article/view/5745
work_keys_str_mv AT nicolefayard introductionshakespeareandineuropeconnectingvoices