Internationalism on the big screen: Films on the League of Nations

Building on the growing literature on the communication strategies of the League of Nations, this article discusses the films that a variety of actors made on the activities of the international organization. While the efforts of the League’s Secretariat in Geneva are at the center of this article,...

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Main Author: Pelle van Dijk
Format: Article
Language:deu
Published: Seismo Verlag 2023-04-01
Series:Studies in Communication Sciences
Subjects:
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author Pelle van Dijk
author_facet Pelle van Dijk
author_sort Pelle van Dijk
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description Building on the growing literature on the communication strategies of the League of Nations, this article discusses the films that a variety of actors made on the activities of the international organization. While the efforts of the League’s Secretariat in Geneva are at the center of this article, it is important to acknowledge the films made by civil society actors, gathered in national League of Nations societies. Not constrained by the ban on propaganda that applied to the League officials, these societies tried to mobilize their audience by making emotional appeals and adapting the League’s message to the national political context. After long delays and eventually with limited success, the Secretariat made its own talkie in the late 1930s, The League at Work. In all three films discussed in this article, the horrors of the First World War were portrayed to convince the audience that international cooperation was necessary to prevent a new catastrophe. With these films, the various actors promoted the League as the organization that could oversee a stable world order.
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spelling doaj.art-e57850e9e2b94906a94a9761b5e4e4222023-04-25T12:20:14ZdeuSeismo VerlagStudies in Communication Sciences1424-48962296-41502023-04-01231 5166https://doi.org/10.24434/j.scoms.2023.01.3431Internationalism on the big screen: Films on the League of NationsPelle van Dijk0https://orcid.org/0000-0001-6022-635XEuropean University Institute, Department of HistoryBuilding on the growing literature on the communication strategies of the League of Nations, this article discusses the films that a variety of actors made on the activities of the international organization. While the efforts of the League’s Secretariat in Geneva are at the center of this article, it is important to acknowledge the films made by civil society actors, gathered in national League of Nations societies. Not constrained by the ban on propaganda that applied to the League officials, these societies tried to mobilize their audience by making emotional appeals and adapting the League’s message to the national political context. After long delays and eventually with limited success, the Secretariat made its own talkie in the late 1930s, The League at Work. In all three films discussed in this article, the horrors of the First World War were portrayed to convince the audience that international cooperation was necessary to prevent a new catastrophe. With these films, the various actors promoted the League as the organization that could oversee a stable world order.league of nationscinematographypublic opinionpropagandangos
spellingShingle Pelle van Dijk
Internationalism on the big screen: Films on the League of Nations
Studies in Communication Sciences
league of nations
cinematography
public opinion
propaganda
ngos
title Internationalism on the big screen: Films on the League of Nations
title_full Internationalism on the big screen: Films on the League of Nations
title_fullStr Internationalism on the big screen: Films on the League of Nations
title_full_unstemmed Internationalism on the big screen: Films on the League of Nations
title_short Internationalism on the big screen: Films on the League of Nations
title_sort internationalism on the big screen films on the league of nations
topic league of nations
cinematography
public opinion
propaganda
ngos
work_keys_str_mv AT pellevandijk internationalismonthebigscreenfilmsontheleagueofnations