Looking for Colour on Greek and Roman Sculpture

Review of: Vinzenz Brinkmann, Oliver Primavesi, Max Hollein, (eds), Circumlitio. The Polychromy of Antique and Medieval Sculpture. Liebighaus Skulpturensammlung, Frankfurt am Main, 2010. New scientific methods now being applied to the analysis of traces of pigments and gilding on ancient Greek and...

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Main Author: Amanda Claridge
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2011-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:http://arthistoriography.files.wordpress.com/2011/12/claridge.pdf
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author Amanda Claridge
author_facet Amanda Claridge
author_sort Amanda Claridge
collection DOAJ
description Review of: Vinzenz Brinkmann, Oliver Primavesi, Max Hollein, (eds), Circumlitio. The Polychromy of Antique and Medieval Sculpture. Liebighaus Skulpturensammlung, Frankfurt am Main, 2010. New scientific methods now being applied to the analysis of traces of pigments and gilding on ancient Greek and Roman marble statuary, and other marble artefacts, have the potential to revolutionise our understanding of the relationship between form and colour in antiquity. At present the enquiry is still in its infancy, but the papers delivered at a conference held in Frankfurt in 2008, reviewed here, provide a general introduction to the subject and to a wide range of work in progress.
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spelling doaj.art-e57a6f7031764386a76536fd6ddbad5d2022-12-22T00:38:04ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522011-12-0155AC/1Looking for Colour on Greek and Roman SculptureAmanda ClaridgeReview of: Vinzenz Brinkmann, Oliver Primavesi, Max Hollein, (eds), Circumlitio. The Polychromy of Antique and Medieval Sculpture. Liebighaus Skulpturensammlung, Frankfurt am Main, 2010. New scientific methods now being applied to the analysis of traces of pigments and gilding on ancient Greek and Roman marble statuary, and other marble artefacts, have the potential to revolutionise our understanding of the relationship between form and colour in antiquity. At present the enquiry is still in its infancy, but the papers delivered at a conference held in Frankfurt in 2008, reviewed here, provide a general introduction to the subject and to a wide range of work in progress.http://arthistoriography.files.wordpress.com/2011/12/claridge.pdfpolychromyXRFUV-VIS absorption spectroscopygas chromatographyPersian RiderAlexander SarcophagusPeplos KorePhrasikleiaCopenhagen Polychromy NetworkpigmentscircumlitioDelosSmall Herculaneum Womangold-leaflead foilEgyptian bluemadderorganic binderspainting on marblelacquerWinckelmannPompeii
spellingShingle Amanda Claridge
Looking for Colour on Greek and Roman Sculpture
Journal of Art Historiography
polychromy
XRF
UV-VIS absorption spectroscopy
gas chromatography
Persian Rider
Alexander Sarcophagus
Peplos Kore
Phrasikleia
Copenhagen Polychromy Network
pigments
circumlitio
Delos
Small Herculaneum Woman
gold-leaf
lead foil
Egyptian blue
madder
organic binders
painting on marble
lacquer
Winckelmann
Pompeii
title Looking for Colour on Greek and Roman Sculpture
title_full Looking for Colour on Greek and Roman Sculpture
title_fullStr Looking for Colour on Greek and Roman Sculpture
title_full_unstemmed Looking for Colour on Greek and Roman Sculpture
title_short Looking for Colour on Greek and Roman Sculpture
title_sort looking for colour on greek and roman sculpture
topic polychromy
XRF
UV-VIS absorption spectroscopy
gas chromatography
Persian Rider
Alexander Sarcophagus
Peplos Kore
Phrasikleia
Copenhagen Polychromy Network
pigments
circumlitio
Delos
Small Herculaneum Woman
gold-leaf
lead foil
Egyptian blue
madder
organic binders
painting on marble
lacquer
Winckelmann
Pompeii
url http://arthistoriography.files.wordpress.com/2011/12/claridge.pdf
work_keys_str_mv AT amandaclaridge lookingforcolourongreekandromansculpture