Clasicismo frente a modernidad, el arte frente a la técnica: estructura y significado de los viajes en Homo faber de Max Frisco
The journey as a literary motive occupies a central position in Max Frisch’s novel Homo Faber (1957) which has barely been granted attention by the field of literary studies, which has been more interested in analyzing other themes or motives present in the novel, such as incest, the modern man or t...
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| Format: | Article |
| Language: | Catalan |
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Universidad Complutense de Madrid
2006-10-01
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| Series: | Revista de Filología Románica |
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| Online Access: | http://revistas.ucm.es/index.php/RFRM/article/view/10930 |