Metaphors we read by: People, process, and fan fiction

New metaphors must be adopted for the writing of fan fiction. Henry Jenkins's metaphor of the textual poacher has achieved tacit acceptance and widespread circulation, suggesting that it has become relatively fixed as a description of fan creative practices among fans as well as in scholarship....

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Main Author: Juli J. Parrish
Format: Article
Language:English
Published: Organization for Transformative Works 2013-09-01
Series:Transformative Works and Cultures
Subjects:
Online Access:http://dx.doi.org/10.3983/twc.2013.0486
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author Juli J. Parrish
author_facet Juli J. Parrish
author_sort Juli J. Parrish
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description New metaphors must be adopted for the writing of fan fiction. Henry Jenkins's metaphor of the textual poacher has achieved tacit acceptance and widespread circulation, suggesting that it has become relatively fixed as a description of fan creative practices among fans as well as in scholarship. Challenges to this model and metaphor are important but have not successfully displaced the prominence of the textual poacher. One promising alternative structure is that of Brownian motion, a scientific concept that both Michel de Certeau and Constance Penley have offered as a metaphor for creativity. Whereas textual poaching offers us a vision of fans as nomads, moving through a place and collecting materials, Brownian motion offers us a vision of fan fiction as world building, a process that remakes the place itself. Metaphors such as Brownian motion do not only offer us a different framework for understanding the creative processes that characterize fan fiction writing; they also remind us to focus on those creative processes themselves, as well as on the fans who engage in them.
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spelling doaj.art-e6b7a362a5034e609ff11b6c8dea83312022-12-21T22:58:47ZengOrganization for Transformative WorksTransformative Works and Cultures1941-22581941-22582013-09-011410.3983/twc.2013.0486Metaphors we read by: People, process, and fan fictionJuli J. Parrish0University of Denver, Denver, Colorado, United StatesNew metaphors must be adopted for the writing of fan fiction. Henry Jenkins's metaphor of the textual poacher has achieved tacit acceptance and widespread circulation, suggesting that it has become relatively fixed as a description of fan creative practices among fans as well as in scholarship. Challenges to this model and metaphor are important but have not successfully displaced the prominence of the textual poacher. One promising alternative structure is that of Brownian motion, a scientific concept that both Michel de Certeau and Constance Penley have offered as a metaphor for creativity. Whereas textual poaching offers us a vision of fans as nomads, moving through a place and collecting materials, Brownian motion offers us a vision of fan fiction as world building, a process that remakes the place itself. Metaphors such as Brownian motion do not only offer us a different framework for understanding the creative processes that characterize fan fiction writing; they also remind us to focus on those creative processes themselves, as well as on the fans who engage in them.http://dx.doi.org/10.3983/twc.2013.0486Brownian motionCreative processReadersTextual poaching
spellingShingle Juli J. Parrish
Metaphors we read by: People, process, and fan fiction
Transformative Works and Cultures
Brownian motion
Creative process
Readers
Textual poaching
title Metaphors we read by: People, process, and fan fiction
title_full Metaphors we read by: People, process, and fan fiction
title_fullStr Metaphors we read by: People, process, and fan fiction
title_full_unstemmed Metaphors we read by: People, process, and fan fiction
title_short Metaphors we read by: People, process, and fan fiction
title_sort metaphors we read by people process and fan fiction
topic Brownian motion
Creative process
Readers
Textual poaching
url http://dx.doi.org/10.3983/twc.2013.0486
work_keys_str_mv AT julijparrish metaphorswereadbypeopleprocessandfanfiction