Le vernis des apparences

The purpose of this article is to understand the semiotic impact of the cleaning of a painting and the cognitive effects induced on the observer. This study analyses conjointly the visual phenomenon generated by yellowing varnish and its removal and controlled interviews of observers. The removal of...

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Main Author: Grazia Nicosia
Format: Article
Language:English
Published: Association CeROArt 2010-04-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:http://journals.openedition.org/ceroart/1483
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author Grazia Nicosia
author_facet Grazia Nicosia
author_sort Grazia Nicosia
collection DOAJ
description The purpose of this article is to understand the semiotic impact of the cleaning of a painting and the cognitive effects induced on the observer. This study analyses conjointly the visual phenomenon generated by yellowing varnish and its removal and controlled interviews of observers. The removal of yellowing varnish modifies considerably the perception of the picture. Daytime, climate, season and characters activities are modified. The patina may be perceived either as an obstacle to the painting exploration, or, for those who appreciate it, as a medium for a closer relationship between the painting and the observer.
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spelling doaj.art-e6c171eb30184aac80b3525ac46956a42022-12-21T19:15:31ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922010-04-01510.4000/ceroart.1483Le vernis des apparencesGrazia NicosiaThe purpose of this article is to understand the semiotic impact of the cleaning of a painting and the cognitive effects induced on the observer. This study analyses conjointly the visual phenomenon generated by yellowing varnish and its removal and controlled interviews of observers. The removal of yellowing varnish modifies considerably the perception of the picture. Daytime, climate, season and characters activities are modified. The patina may be perceived either as an obstacle to the painting exploration, or, for those who appreciate it, as a medium for a closer relationship between the painting and the observer.http://journals.openedition.org/ceroart/1483varnishcleaningpatinaobservervisual perception
spellingShingle Grazia Nicosia
Le vernis des apparences
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
varnish
cleaning
patina
observer
visual perception
title Le vernis des apparences
title_full Le vernis des apparences
title_fullStr Le vernis des apparences
title_full_unstemmed Le vernis des apparences
title_short Le vernis des apparences
title_sort le vernis des apparences
topic varnish
cleaning
patina
observer
visual perception
url http://journals.openedition.org/ceroart/1483
work_keys_str_mv AT grazianicosia levernisdesapparences