An Analysis of the Aristotelian Ethographos Art

The term of Ethos was first appeared in the 5th century BC, meaning "nature", "habit" and "custom", in the character of heroes. This term gradually found its place in the views of philosophers such as Plato and Aristotle on moral advice aimed at encouraging the socializ...

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Main Authors: Camellia Talei Bafghei, Maryam Soltani Kouhanestani
Format: Article
Language:English
Published: University of Tabriz, Faculty of Literature and Forigen Languages 2022-04-01
Series:Journal of Philosophical Investigations
Subjects:
Online Access:https://philosophy.tabrizu.ac.ir/article_13602_3e936a606447f590726b2e8ebafb140b.pdf
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author Camellia Talei Bafghei
Maryam Soltani Kouhanestani
author_facet Camellia Talei Bafghei
Maryam Soltani Kouhanestani
author_sort Camellia Talei Bafghei
collection DOAJ
description The term of Ethos was first appeared in the 5th century BC, meaning "nature", "habit" and "custom", in the character of heroes. This term gradually found its place in the views of philosophers such as Plato and Aristotle on moral advice aimed at encouraging the socialization of individuals. Aristotle called artists to observe virtue in their works and called such artists ethographer. The Aristotelian ethographos Art is not only used as a criterion for art criticism, but also leads to the unity between the visual and non-visual arts, and in this way, the artist can communicate and influence the audience and allow them to recognize different perspectives. The ethographos Art transcends the function of art beyond the limited scope of subject-object and gives it a role with a social function, and then, vitalize to its material environment and makes possible the understanding of the unattainable concepts of ontology, both in the spatial and human dimensions, and leads to a general agreement.
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spelling doaj.art-e6ff7a6f8a9e4ba9bf3cb1051ead2fa02023-09-03T10:49:36ZengUniversity of Tabriz, Faculty of Literature and Forigen LanguagesJournal of Philosophical Investigations2251-79602423-44192022-04-01163844847610.22034/jpiut.2021.45644.280413602An Analysis of the Aristotelian Ethographos ArtCamellia Talei Bafghei0Maryam Soltani Kouhanestani1PhD in Philosophy of Art, Ardabil Branch, Islamic Azad University, Ardabil, Iran.Associate Professor of Philosophy Department, University of Mohaghegh Ardabili, Ardabil, IranThe term of Ethos was first appeared in the 5th century BC, meaning "nature", "habit" and "custom", in the character of heroes. This term gradually found its place in the views of philosophers such as Plato and Aristotle on moral advice aimed at encouraging the socialization of individuals. Aristotle called artists to observe virtue in their works and called such artists ethographer. The Aristotelian ethographos Art is not only used as a criterion for art criticism, but also leads to the unity between the visual and non-visual arts, and in this way, the artist can communicate and influence the audience and allow them to recognize different perspectives. The ethographos Art transcends the function of art beyond the limited scope of subject-object and gives it a role with a social function, and then, vitalize to its material environment and makes possible the understanding of the unattainable concepts of ontology, both in the spatial and human dimensions, and leads to a general agreement.https://philosophy.tabrizu.ac.ir/article_13602_3e936a606447f590726b2e8ebafb140b.pdfaristotleethosartethography
spellingShingle Camellia Talei Bafghei
Maryam Soltani Kouhanestani
An Analysis of the Aristotelian Ethographos Art
Journal of Philosophical Investigations
aristotle
ethos
art
ethography
title An Analysis of the Aristotelian Ethographos Art
title_full An Analysis of the Aristotelian Ethographos Art
title_fullStr An Analysis of the Aristotelian Ethographos Art
title_full_unstemmed An Analysis of the Aristotelian Ethographos Art
title_short An Analysis of the Aristotelian Ethographos Art
title_sort analysis of the aristotelian ethographos art
topic aristotle
ethos
art
ethography
url https://philosophy.tabrizu.ac.ir/article_13602_3e936a606447f590726b2e8ebafb140b.pdf
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