Abstract Space in Bret Easton Ellis's Less Than Zero

The consumer culture of late capitalism is more than ever associated with the concept of urban space. Prevalent in the late capitalist society is abstract space that homogenizes and flattens out the differences, conflicts and contradictions on the social scene. This process of homogenization acts as...

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Main Authors: Mohsen Rezaeian, Bahee Hadaegh
Format: Article
Language:English
Published: University of Kurdistan 2022-05-01
Series:Critical Literary Studies
Subjects:
Online Access:https://cls.uok.ac.ir/article_62216.html
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author Mohsen Rezaeian
Bahee Hadaegh
author_facet Mohsen Rezaeian
Bahee Hadaegh
author_sort Mohsen Rezaeian
collection DOAJ
description The consumer culture of late capitalism is more than ever associated with the concept of urban space. Prevalent in the late capitalist society is abstract space that homogenizes and flattens out the differences, conflicts and contradictions on the social scene. This process of homogenization acts as a mechanism of control to preserve the current status quo. In Bret Easton Ellis's Less Than Zero, abstract space, by homogenizing and fragmenting the body and lived experience, makes the characters comply with the consumer culture and suppresses the potentials for the difference and the emergence of alternative spaces. In this paper, the role abstract space plays in Ellis's novel is analyzed in the light of Henri Lefebvre's theory of space. The present study argues that abstract space numbs the potentials for difference and heterogeneity in Ellis's novel. Instead, it imposes homogeneity on social relations, pushing the characters to the brink of invisibility and nothingness.
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spelling doaj.art-e7093c99e6544e7db0d6cdcfb406f9362022-12-22T00:45:47ZengUniversity of KurdistanCritical Literary Studies2676-699X2716-99282022-05-01429111010.34785/J014.2022.269Abstract Space in Bret Easton Ellis's Less Than ZeroMohsen Rezaeian0Bahee Hadaegh1PhD Candidate in English Literature, Shiraz University, Shiraz, Iran Associate Professor of Transnational Literature and Drama Studies, Shiraz University, Shiraz, IranThe consumer culture of late capitalism is more than ever associated with the concept of urban space. Prevalent in the late capitalist society is abstract space that homogenizes and flattens out the differences, conflicts and contradictions on the social scene. This process of homogenization acts as a mechanism of control to preserve the current status quo. In Bret Easton Ellis's Less Than Zero, abstract space, by homogenizing and fragmenting the body and lived experience, makes the characters comply with the consumer culture and suppresses the potentials for the difference and the emergence of alternative spaces. In this paper, the role abstract space plays in Ellis's novel is analyzed in the light of Henri Lefebvre's theory of space. The present study argues that abstract space numbs the potentials for difference and heterogeneity in Ellis's novel. Instead, it imposes homogeneity on social relations, pushing the characters to the brink of invisibility and nothingness.https://cls.uok.ac.ir/article_62216.htmlhenri lefebvrespatialitythe visualthe phallicthe mirror
spellingShingle Mohsen Rezaeian
Bahee Hadaegh
Abstract Space in Bret Easton Ellis's Less Than Zero
Critical Literary Studies
henri lefebvre
spatiality
the visual
the phallic
the mirror
title Abstract Space in Bret Easton Ellis's Less Than Zero
title_full Abstract Space in Bret Easton Ellis's Less Than Zero
title_fullStr Abstract Space in Bret Easton Ellis's Less Than Zero
title_full_unstemmed Abstract Space in Bret Easton Ellis's Less Than Zero
title_short Abstract Space in Bret Easton Ellis's Less Than Zero
title_sort abstract space in bret easton ellis s less than zero
topic henri lefebvre
spatiality
the visual
the phallic
the mirror
url https://cls.uok.ac.ir/article_62216.html
work_keys_str_mv AT mohsenrezaeian abstractspaceinbreteastonellisslessthanzero
AT baheehadaegh abstractspaceinbreteastonellisslessthanzero