Restif de la Bretonne et Gérard de Nerval : (auto)biographies excentriques

This present article highlights haw the writer of Les Illuminés defies the genre of the biography and of the autobiography, transgresses the constraints of the biographical genre and dissimulates the gap between him and his biographies’, story of life and work, hence the lack of boundaries between h...

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Main Author: Elena Mihaela Andrei
Format: Article
Language:deu
Published: Editura Universităţii Aurel Vlaicu Arad 2015-11-01
Series:Journal of Humanistic and Social Studies
Subjects:
Online Access:http://www.jhss.ro/downloads/12/articles/1%20Andrei.pdf
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author Elena Mihaela Andrei
author_facet Elena Mihaela Andrei
author_sort Elena Mihaela Andrei
collection DOAJ
description This present article highlights haw the writer of Les Illuminés defies the genre of the biography and of the autobiography, transgresses the constraints of the biographical genre and dissimulates the gap between him and his biographies’, story of life and work, hence the lack of boundaries between history and fiction, reality and imagination, true and false. The biography of the other, synonymous with disguised autobiography, becomes in Nervalian aesthetic a personal semantic matrix: from the social to the individual, from the knowledge to the experience, from the historic time to the individual time, from the reality to the fiction and vice versa everything is, to the feather of Nerval, moved or off-centered.
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spelling doaj.art-e70e3e9cee254d728a12b699a174380b2022-12-22T04:18:44ZdeuEditura Universităţii Aurel Vlaicu AradJournal of Humanistic and Social Studies2067-65572247-23712015-11-01VI2917Restif de la Bretonne et Gérard de Nerval : (auto)biographies excentriquesElena Mihaela Andrei 0“Alexandru Ioan Cuza” University of IaşiThis present article highlights haw the writer of Les Illuminés defies the genre of the biography and of the autobiography, transgresses the constraints of the biographical genre and dissimulates the gap between him and his biographies’, story of life and work, hence the lack of boundaries between history and fiction, reality and imagination, true and false. The biography of the other, synonymous with disguised autobiography, becomes in Nervalian aesthetic a personal semantic matrix: from the social to the individual, from the knowledge to the experience, from the historic time to the individual time, from the reality to the fiction and vice versa everything is, to the feather of Nerval, moved or off-centered.http://www.jhss.ro/downloads/12/articles/1%20Andrei.pdf(auto)biographyeccentricityidentificationgapdissimulation
spellingShingle Elena Mihaela Andrei
Restif de la Bretonne et Gérard de Nerval : (auto)biographies excentriques
Journal of Humanistic and Social Studies
(auto)biography
eccentricity
identification
gap
dissimulation
title Restif de la Bretonne et Gérard de Nerval : (auto)biographies excentriques
title_full Restif de la Bretonne et Gérard de Nerval : (auto)biographies excentriques
title_fullStr Restif de la Bretonne et Gérard de Nerval : (auto)biographies excentriques
title_full_unstemmed Restif de la Bretonne et Gérard de Nerval : (auto)biographies excentriques
title_short Restif de la Bretonne et Gérard de Nerval : (auto)biographies excentriques
title_sort restif de la bretonne et gerard de nerval auto biographies excentriques
topic (auto)biography
eccentricity
identification
gap
dissimulation
url http://www.jhss.ro/downloads/12/articles/1%20Andrei.pdf
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