On the "Generation 2000" and Neo-Pop in Contemporary Romanian Art
The present study focuses on the generation 2000 of the Romanian contemporary art and on one of the tendencies to be identified in its work, namely Neo-Pop. This generation’s representatives are fine arts graduates from the late 1990s to at least 2005. The Neo-Pop direction, sometimes related to the...
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| Format: | Article |
| Language: | English |
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Publishing House of the Romanian Academy
2011-01-01
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| Series: | Revue Roumaine d'Histoire de l'Art : Série Beaux-Arts |
| Online Access: | http://www.istoria-artei.ro/resources/files/RRHA%202011-Art%2009-A.%20Guta.pdf |
| Summary: | The present study focuses on the generation 2000 of the Romanian contemporary art and on one of the tendencies to be identified in its work, namely Neo-Pop. This generation’s representatives are fine arts graduates from the late 1990s to at least 2005. The Neo-Pop direction, sometimes related to the Neo-Conceptual one, may be temporarily or partially developed by these young artists. Since the 1990s and increasingly, consumerism and media culture inspired and motivated the Neo-Pop option for artists who grew up in an urban context progressively responding to globalisation. Authors’ attitudes include irony, playfulness, critical accents, they dismantle taboos of representation; the artists revisit Pop stylistic characteristics in painting, but they also work with readymades, installation, photography, video, they contribute to street art, they revitalize comics. The study shortly refers to a number of examples: artists of the generation 2000 and their works created along the first decade of the twenty one century. |
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| ISSN: | 0556-8080 2067-5127 |