Introduction: “Is There a Place (Still) For Criticism?”

The texts presented in this special issue of the JSTA have two ambitions. On the one hand, they try to retake the problem of art criticism in a digital age that significantly transformed the means of exhibition and experimentation of works of art. Together they are an introduction to the task of cri...

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Main Authors: Nuno Crespo, Luiz Camillo Osorio, Sabeth Buchmann
Format: Article
Language:English
Published: Universidade Católica Portuguesa 2022-03-01
Series:Journal of Science and Technology of the Arts
Subjects:
Online Access:https://revistas.ucp.pt/index.php/jsta/article/view/11067
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author Nuno Crespo
Luiz Camillo Osorio
Sabeth Buchmann
author_facet Nuno Crespo
Luiz Camillo Osorio
Sabeth Buchmann
author_sort Nuno Crespo
collection DOAJ
description The texts presented in this special issue of the JSTA have two ambitions. On the one hand, they try to retake the problem of art criticism in a digital age that significantly transformed the means of exhibition and experimentation of works of art. Together they are an introduction to the task of criticism today, taking into account its genealogy in German theoretical romanticism and its new repertoires in post-colonial theory and infra-structural critique. On the other hand, they aim in recovering the discussion of criticism and the need for its inclusion in contemporary art discussions. 
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spelling doaj.art-e7358314f04541c0afa504510822cab72022-12-22T00:06:35ZengUniversidade Católica PortuguesaJournal of Science and Technology of the Arts1646-97982183-00882022-03-0113310.34632/jsta.2021.11067Introduction: “Is There a Place (Still) For Criticism?”Nuno Crespo0Luiz Camillo Osorio1Sabeth Buchmann2Universidade Católica Portuguesa, School of Arts, Research Center for the Science and Technology of the ArtsPontifícia Universidade Católica do Rio de JaneiroAkademie der bildenden Künste WienThe texts presented in this special issue of the JSTA have two ambitions. On the one hand, they try to retake the problem of art criticism in a digital age that significantly transformed the means of exhibition and experimentation of works of art. Together they are an introduction to the task of criticism today, taking into account its genealogy in German theoretical romanticism and its new repertoires in post-colonial theory and infra-structural critique. On the other hand, they aim in recovering the discussion of criticism and the need for its inclusion in contemporary art discussions.  https://revistas.ucp.pt/index.php/jsta/article/view/11067Art criticismArt theoryInfra-structural critiqueCinemaContemporary art
spellingShingle Nuno Crespo
Luiz Camillo Osorio
Sabeth Buchmann
Introduction: “Is There a Place (Still) For Criticism?”
Journal of Science and Technology of the Arts
Art criticism
Art theory
Infra-structural critique
Cinema
Contemporary art
title Introduction: “Is There a Place (Still) For Criticism?”
title_full Introduction: “Is There a Place (Still) For Criticism?”
title_fullStr Introduction: “Is There a Place (Still) For Criticism?”
title_full_unstemmed Introduction: “Is There a Place (Still) For Criticism?”
title_short Introduction: “Is There a Place (Still) For Criticism?”
title_sort introduction is there a place still for criticism
topic Art criticism
Art theory
Infra-structural critique
Cinema
Contemporary art
url https://revistas.ucp.pt/index.php/jsta/article/view/11067
work_keys_str_mv AT nunocrespo introductionisthereaplacestillforcriticism
AT luizcamilloosorio introductionisthereaplacestillforcriticism
AT sabethbuchmann introductionisthereaplacestillforcriticism