Crowdfunding, produzione e marketing: il caso Subbuteopia

The article aims at investigating some of the main dynamics of the crowdfunding campaign for Subbuteopia, a documentary focused on the “Subbuteo world”, directed in 2012 by Pierr Nosari and produced by Giusi Santoro for POPCult, in collaboration with L@ Società Sintetica. The article is structured i...

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Main Author: Valentina Re
Format: Article
Language:English
Published: University of Bologna 2013-11-01
Series:Cinergie
Subjects:
Online Access:https://cinergie.unibo.it/article/view/7363
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author Valentina Re
author_facet Valentina Re
author_sort Valentina Re
collection DOAJ
description The article aims at investigating some of the main dynamics of the crowdfunding campaign for Subbuteopia, a documentary focused on the “Subbuteo world”, directed in 2012 by Pierr Nosari and produced by Giusi Santoro for POPCult, in collaboration with L@ Società Sintetica. The article is structured into four parts. In the first part, I will discuss how the “Subbuteopia project” is not limited to the documentary and I will propose to consider it as a goal-oriented, transmedia storytelling precisely on the basis of the crowdfunding campaign. In the second part, I will analyze the main features of Verkami, the Catalan platform used for the campaign. In the third part, I will analyze the campaign developed by the production, with particular attention to the importance of the preparatory work and to the synergy between offline and online activities. Finally, I will propose some concluding remarks about the role played by crowdfunding with respect to independent productions and marketing strategies.
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spelling doaj.art-e74ac4326c98458385928c759b6319292022-12-22T02:41:41ZengUniversity of BolognaCinergie2280-94812013-11-0124546610.6092/issn.2280-9481/73636581Crowdfunding, produzione e marketing: il caso SubbuteopiaValentina Re0Link Campus UniversityThe article aims at investigating some of the main dynamics of the crowdfunding campaign for Subbuteopia, a documentary focused on the “Subbuteo world”, directed in 2012 by Pierr Nosari and produced by Giusi Santoro for POPCult, in collaboration with L@ Società Sintetica. The article is structured into four parts. In the first part, I will discuss how the “Subbuteopia project” is not limited to the documentary and I will propose to consider it as a goal-oriented, transmedia storytelling precisely on the basis of the crowdfunding campaign. In the second part, I will analyze the main features of Verkami, the Catalan platform used for the campaign. In the third part, I will analyze the campaign developed by the production, with particular attention to the importance of the preparatory work and to the synergy between offline and online activities. Finally, I will propose some concluding remarks about the role played by crowdfunding with respect to independent productions and marketing strategies.https://cinergie.unibo.it/article/view/7363crowdfundingmarketingSubbuteopia
spellingShingle Valentina Re
Crowdfunding, produzione e marketing: il caso Subbuteopia
Cinergie
crowdfunding
marketing
Subbuteopia
title Crowdfunding, produzione e marketing: il caso Subbuteopia
title_full Crowdfunding, produzione e marketing: il caso Subbuteopia
title_fullStr Crowdfunding, produzione e marketing: il caso Subbuteopia
title_full_unstemmed Crowdfunding, produzione e marketing: il caso Subbuteopia
title_short Crowdfunding, produzione e marketing: il caso Subbuteopia
title_sort crowdfunding produzione e marketing il caso subbuteopia
topic crowdfunding
marketing
Subbuteopia
url https://cinergie.unibo.it/article/view/7363
work_keys_str_mv AT valentinare crowdfundingproduzioneemarketingilcasosubbuteopia