War in the Garden: Reading and Translating James Fenton’s Poetry
This article discusses the poetic language of James Fenton, in particular in the light of the impact of his experience as a journalist in Southeast Asia in the 1970s. It presents the « skin-voice », a notion derived from psychiatrist Didier Anzieu’s concept, le Moi-peau, and ends with a discussion o...
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2019-04-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
| Subjects: | |
| Online Access: | http://journals.openedition.org/miranda/15997 |
| _version_ | 1818838131948912640 |
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| author | Sara Greaves |
| author_facet | Sara Greaves |
| author_sort | Sara Greaves |
| collection | DOAJ |
| description | This article discusses the poetic language of James Fenton, in particular in the light of the impact of his experience as a journalist in Southeast Asia in the 1970s. It presents the « skin-voice », a notion derived from psychiatrist Didier Anzieu’s concept, le Moi-peau, and ends with a discussion of my translations of a selection of Fenton’s poetry, which can be found–along with a critical study and a translator’s postface–in Côté guerre coté jardin: excursions dans la poésie de James Fenton, Aix-en-Provence, Presses Universitaires de Provence, 2016. |
| first_indexed | 2024-12-19T03:33:32Z |
| format | Article |
| id | doaj.art-e76db001cdcc43f9aa1cd271050cdd37 |
| institution | Directory Open Access Journal |
| issn | 2108-6559 |
| language | English |
| last_indexed | 2024-12-19T03:33:32Z |
| publishDate | 2019-04-01 |
| publisher | Université Toulouse - Jean Jaurès |
| record_format | Article |
| series | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
| spelling | doaj.art-e76db001cdcc43f9aa1cd271050cdd372022-12-21T20:37:27ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592019-04-011810.4000/miranda.15997War in the Garden: Reading and Translating James Fenton’s PoetrySara GreavesThis article discusses the poetic language of James Fenton, in particular in the light of the impact of his experience as a journalist in Southeast Asia in the 1970s. It presents the « skin-voice », a notion derived from psychiatrist Didier Anzieu’s concept, le Moi-peau, and ends with a discussion of my translations of a selection of Fenton’s poetry, which can be found–along with a critical study and a translator’s postface–in Côté guerre coté jardin: excursions dans la poésie de James Fenton, Aix-en-Provence, Presses Universitaires de Provence, 2016.http://journals.openedition.org/miranda/15997wargardenpoetry of witnessliving archivecross-pollinationeuphemein |
| spellingShingle | Sara Greaves War in the Garden: Reading and Translating James Fenton’s Poetry Miranda: Revue Pluridisciplinaire du Monde Anglophone war garden poetry of witness living archive cross-pollination euphemein |
| title | War in the Garden: Reading and Translating James Fenton’s Poetry |
| title_full | War in the Garden: Reading and Translating James Fenton’s Poetry |
| title_fullStr | War in the Garden: Reading and Translating James Fenton’s Poetry |
| title_full_unstemmed | War in the Garden: Reading and Translating James Fenton’s Poetry |
| title_short | War in the Garden: Reading and Translating James Fenton’s Poetry |
| title_sort | war in the garden reading and translating james fenton s poetry |
| topic | war garden poetry of witness living archive cross-pollination euphemein |
| url | http://journals.openedition.org/miranda/15997 |
| work_keys_str_mv | AT saragreaves warinthegardenreadingandtranslatingjamesfentonspoetry |