Resentment Music: Popular Sentimentality?
The present article approaches the radical separation problem that the modern/colonial western project has established between “learned art” and “popular art”, referring the latter to the rural and/or the marginal sectors of the cities, and to the implications...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
Universidad Distrital Francisco José de Caldas
2011-05-01
|
| Series: | Calle 14: Revista de Investigación en el Campo del Arte |
| Subjects: | |
| Online Access: | http://revistas.udistrital.edu.co/ojs/index.php/c14/article/view/1217 |
| _version_ | 1818489769409118208 |
|---|---|
| author | Adolfo Albán Achinte |
| author_facet | Adolfo Albán Achinte |
| author_sort | Adolfo Albán Achinte |
| collection | DOAJ |
| description | The present article approaches the radical separation problem that the modern/colonial western project has established between “learned art” and “popular art”, referring the latter to the rural and/or the marginal sectors of the cities, and to the implications that the emergency of popular manifestations have for our societies. The so called “resentment music” in Colombia gives a visual account to big social sectors that find in this musical gender the re-presentation of their experiences, disillusions and frustrations but also of their yearnings and hopes, that is to say, of a social reality that filters by means of this music, and that in many occasions doesn’t have relevance in other mass media. These musics are interpellating a hegemonic system that determines the likes and aesthetics, by means of narratives that separates from the conventional to be interwoven with the fabric of a problematic social reality. These situations induce to ask in which ways this musical gender is contributing to the construction and/or invigoration of the urban and rural identities in Colombia, or in what ways the identity’s social construction processes have given rise to musical genres such as resentment music. |
| first_indexed | 2024-12-10T17:07:55Z |
| format | Article |
| id | doaj.art-e79da1f927584bd8ab25d2120cecd7ee |
| institution | Directory Open Access Journal |
| issn | 2011-3757 2145-0706 |
| language | Spanish |
| last_indexed | 2024-12-10T17:07:55Z |
| publishDate | 2011-05-01 |
| publisher | Universidad Distrital Francisco José de Caldas |
| record_format | Article |
| series | Calle 14: Revista de Investigación en el Campo del Arte |
| spelling | doaj.art-e79da1f927584bd8ab25d2120cecd7ee2022-12-22T01:40:24ZspaUniversidad Distrital Francisco José de CaldasCalle 14: Revista de Investigación en el Campo del Arte2011-37572145-07062011-05-013374851191Resentment Music: Popular Sentimentality?Adolfo Albán Achinte0Universidad del CaucaThe present article approaches the radical separation problem that the modern/colonial western project has established between “learned art” and “popular art”, referring the latter to the rural and/or the marginal sectors of the cities, and to the implications that the emergency of popular manifestations have for our societies. The so called “resentment music” in Colombia gives a visual account to big social sectors that find in this musical gender the re-presentation of their experiences, disillusions and frustrations but also of their yearnings and hopes, that is to say, of a social reality that filters by means of this music, and that in many occasions doesn’t have relevance in other mass media. These musics are interpellating a hegemonic system that determines the likes and aesthetics, by means of narratives that separates from the conventional to be interwoven with the fabric of a problematic social reality. These situations induce to ask in which ways this musical gender is contributing to the construction and/or invigoration of the urban and rural identities in Colombia, or in what ways the identity’s social construction processes have given rise to musical genres such as resentment music.http://revistas.udistrital.edu.co/ojs/index.php/c14/article/view/1217colonialidad del poder, cultura popular, género musical, música del despecho, sectores marginales, sentimentalismo popular |
| spellingShingle | Adolfo Albán Achinte Resentment Music: Popular Sentimentality? Calle 14: Revista de Investigación en el Campo del Arte colonialidad del poder, cultura popular, género musical, música del despecho, sectores marginales, sentimentalismo popular |
| title | Resentment Music: Popular Sentimentality? |
| title_full | Resentment Music: Popular Sentimentality? |
| title_fullStr | Resentment Music: Popular Sentimentality? |
| title_full_unstemmed | Resentment Music: Popular Sentimentality? |
| title_short | Resentment Music: Popular Sentimentality? |
| title_sort | resentment music popular sentimentality |
| topic | colonialidad del poder, cultura popular, género musical, música del despecho, sectores marginales, sentimentalismo popular |
| url | http://revistas.udistrital.edu.co/ojs/index.php/c14/article/view/1217 |
| work_keys_str_mv | AT adolfoalbanachinte resentmentmusicpopularsentimentality |