Body and Mind, and Vice-Versa, or the Continuing Performative Sexual Revolution in Portuguese Arts

In <i>Everyday Life in the Modern World</i>, first published in 1968, Henri Lefebvre presents the sexual revolution as the first instance of the cultural revolution. This aspect has remained one of the central themes of contemporary activism, often reflecting the relationship between soc...

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Main Author: Claudia Madeira
Format: Article
Language:English
Published: MDPI AG 2022-05-01
Series:Arts
Subjects:
Online Access:https://www.mdpi.com/2076-0752/11/3/60
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author Claudia Madeira
author_facet Claudia Madeira
author_sort Claudia Madeira
collection DOAJ
description In <i>Everyday Life in the Modern World</i>, first published in 1968, Henri Lefebvre presents the sexual revolution as the first instance of the cultural revolution. This aspect has remained one of the central themes of contemporary activism, often reflecting the relationship between social and artistic performance, between art and life or even presenting life as art. Hinged on this relationship, we will discuss some Portuguese art works produced between the 1960s and the present: from dictatorship into democracy. These works build a continuing thematic thread related to what has been termed the “intensification of bodies” but also, as we intend to explore in this article, to a necessary “intensification of minds”, concerning eroticism, sexuality and love.
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spelling doaj.art-e7f982ea4f7548efbedc36309f1a6e872023-11-23T15:31:14ZengMDPI AGArts2076-07522022-05-011136010.3390/arts11030060Body and Mind, and Vice-Versa, or the Continuing Performative Sexual Revolution in Portuguese ArtsClaudia Madeira0NOVA Institute of Communication (ICNOVA), University NOVA of Lisbon, 1069-061 Lisbon, PortugalIn <i>Everyday Life in the Modern World</i>, first published in 1968, Henri Lefebvre presents the sexual revolution as the first instance of the cultural revolution. This aspect has remained one of the central themes of contemporary activism, often reflecting the relationship between social and artistic performance, between art and life or even presenting life as art. Hinged on this relationship, we will discuss some Portuguese art works produced between the 1960s and the present: from dictatorship into democracy. These works build a continuing thematic thread related to what has been termed the “intensification of bodies” but also, as we intend to explore in this article, to a necessary “intensification of minds”, concerning eroticism, sexuality and love.https://www.mdpi.com/2076-0752/11/3/60intensification of bodiesintensification of mindsPortuguese performance artdictatorshipCarnation Revolutionsexual revolution
spellingShingle Claudia Madeira
Body and Mind, and Vice-Versa, or the Continuing Performative Sexual Revolution in Portuguese Arts
Arts
intensification of bodies
intensification of minds
Portuguese performance art
dictatorship
Carnation Revolution
sexual revolution
title Body and Mind, and Vice-Versa, or the Continuing Performative Sexual Revolution in Portuguese Arts
title_full Body and Mind, and Vice-Versa, or the Continuing Performative Sexual Revolution in Portuguese Arts
title_fullStr Body and Mind, and Vice-Versa, or the Continuing Performative Sexual Revolution in Portuguese Arts
title_full_unstemmed Body and Mind, and Vice-Versa, or the Continuing Performative Sexual Revolution in Portuguese Arts
title_short Body and Mind, and Vice-Versa, or the Continuing Performative Sexual Revolution in Portuguese Arts
title_sort body and mind and vice versa or the continuing performative sexual revolution in portuguese arts
topic intensification of bodies
intensification of minds
Portuguese performance art
dictatorship
Carnation Revolution
sexual revolution
url https://www.mdpi.com/2076-0752/11/3/60
work_keys_str_mv AT claudiamadeira bodyandmindandviceversaorthecontinuingperformativesexualrevolutioninportuguesearts