Atmosferologia e atmosferografia: come mettere ordine tra le atmosfere?

<p style="margin: 0cm 0cm 0pt; line-height: normal; text-indent: 0cm;"><span style="font-family: 'Times New Roman','serif'; mso-ansi-language: EN-US;" lang="EN-US"><span style="font-size: medium;">The project of a full-fle...

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Main Author: Michele Di Monte
Format: Article
Language:deu
Published: Milano University Press 2014-07-01
Series:Lebenswelt: Aesthetics and Philosophy of Experience
Online Access:http://riviste.unimi.it/index.php/Lebenswelt/article/view/4197
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author Michele Di Monte
author_facet Michele Di Monte
author_sort Michele Di Monte
collection DOAJ
description <p style="margin: 0cm 0cm 0pt; line-height: normal; text-indent: 0cm;"><span style="font-family: 'Times New Roman','serif'; mso-ansi-language: EN-US;" lang="EN-US"><span style="font-size: medium;">The project of a full-fledged atmospheric aesthetics is largely committed to the descriptive tools of felt experiences, just in keeping with a phenomenological – or, better, a neo-phenomenological – approach. However, description, what we might call ‘atmospherography’, all the more one allegedly accomplished from a first-person point of view, is always a partial, if not particular, perspective. Thus a coherent aesthetics of atmospheres has also to envisage a systematic way of connecting the manifold of descriptions in a theory, call it ‘atmospherology’, which in turn should be able to account for a number of possible experiential counterfactuals. The present paper critically explores the consistency of both the epistemological and ontological consequences of an aesthetics of atmospheres, as sketched mainly by Gernot Böhme, a pioneer and a leading figure in this research field, and tries to specify at least some refutability conditions for such a theory.</span></span></p>
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spelling doaj.art-e83c775a3c6c4dae82af3b194a5dab0c2024-03-02T11:47:42ZdeuMilano University PressLebenswelt: Aesthetics and Philosophy of Experience2240-95992014-07-010410.13130/2240-9599/41973635Atmosferologia e atmosferografia: come mettere ordine tra le atmosfere?Michele Di Monte<p style="margin: 0cm 0cm 0pt; line-height: normal; text-indent: 0cm;"><span style="font-family: 'Times New Roman','serif'; mso-ansi-language: EN-US;" lang="EN-US"><span style="font-size: medium;">The project of a full-fledged atmospheric aesthetics is largely committed to the descriptive tools of felt experiences, just in keeping with a phenomenological – or, better, a neo-phenomenological – approach. However, description, what we might call ‘atmospherography’, all the more one allegedly accomplished from a first-person point of view, is always a partial, if not particular, perspective. Thus a coherent aesthetics of atmospheres has also to envisage a systematic way of connecting the manifold of descriptions in a theory, call it ‘atmospherology’, which in turn should be able to account for a number of possible experiential counterfactuals. The present paper critically explores the consistency of both the epistemological and ontological consequences of an aesthetics of atmospheres, as sketched mainly by Gernot Böhme, a pioneer and a leading figure in this research field, and tries to specify at least some refutability conditions for such a theory.</span></span></p>http://riviste.unimi.it/index.php/Lebenswelt/article/view/4197
spellingShingle Michele Di Monte
Atmosferologia e atmosferografia: come mettere ordine tra le atmosfere?
Lebenswelt: Aesthetics and Philosophy of Experience
title Atmosferologia e atmosferografia: come mettere ordine tra le atmosfere?
title_full Atmosferologia e atmosferografia: come mettere ordine tra le atmosfere?
title_fullStr Atmosferologia e atmosferografia: come mettere ordine tra le atmosfere?
title_full_unstemmed Atmosferologia e atmosferografia: come mettere ordine tra le atmosfere?
title_short Atmosferologia e atmosferografia: come mettere ordine tra le atmosfere?
title_sort atmosferologia e atmosferografia come mettere ordine tra le atmosfere
url http://riviste.unimi.it/index.php/Lebenswelt/article/view/4197
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