The Artist’s Intent in Flux
This paper questions whether the concept of the artist’s intent and its connection with the physical fabric of an object/artwork still holds sway. It outlines some ways in which the artist’s intent can be identified and raises issues of reliability and value that often result in it being viewed with...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Association CeROArt
2013-10-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| Subjects: | |
| Online Access: | http://journals.openedition.org/ceroart/3527 |
| _version_ | 1818416895758434304 |
|---|---|
| author | Rebecca Gordon Erma Hermens |
| author_facet | Rebecca Gordon Erma Hermens |
| author_sort | Rebecca Gordon |
| collection | DOAJ |
| description | This paper questions whether the concept of the artist’s intent and its connection with the physical fabric of an object/artwork still holds sway. It outlines some ways in which the artist’s intent can be identified and raises issues of reliability and value that often result in it being viewed with some reservation. This will be explored specifically in relation to modern and contemporary art in order to promote a rounded approach to the interpretation and conservation of a work of art. |
| first_indexed | 2024-12-14T11:58:09Z |
| format | Article |
| id | doaj.art-e83f8c9ee3564280a7468c7e398a12cd |
| institution | Directory Open Access Journal |
| issn | 1784-5092 |
| language | English |
| last_indexed | 2024-12-14T11:58:09Z |
| publishDate | 2013-10-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj.art-e83f8c9ee3564280a7468c7e398a12cd2022-12-21T23:02:04ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922013-10-0110.4000/ceroart.3527The Artist’s Intent in FluxRebecca GordonErma HermensThis paper questions whether the concept of the artist’s intent and its connection with the physical fabric of an object/artwork still holds sway. It outlines some ways in which the artist’s intent can be identified and raises issues of reliability and value that often result in it being viewed with some reservation. This will be explored specifically in relation to modern and contemporary art in order to promote a rounded approach to the interpretation and conservation of a work of art.http://journals.openedition.org/ceroart/3527artist’s intentcontemporary artauthenticityconservationdocumentationartist interview |
| spellingShingle | Rebecca Gordon Erma Hermens The Artist’s Intent in Flux CeROArt : Conservation, Exposition, Restauration d'Objets d'Art artist’s intent contemporary art authenticity conservation documentation artist interview |
| title | The Artist’s Intent in Flux |
| title_full | The Artist’s Intent in Flux |
| title_fullStr | The Artist’s Intent in Flux |
| title_full_unstemmed | The Artist’s Intent in Flux |
| title_short | The Artist’s Intent in Flux |
| title_sort | artist s intent in flux |
| topic | artist’s intent contemporary art authenticity conservation documentation artist interview |
| url | http://journals.openedition.org/ceroart/3527 |
| work_keys_str_mv | AT rebeccagordon theartistsintentinflux AT ermahermens theartistsintentinflux AT rebeccagordon artistsintentinflux AT ermahermens artistsintentinflux |