Site, Sight, Cite: Conceptualizing Wayside Shrines as Visual Culture

This article proposes a threefold framework for analyzing wayside shrines as artifacts of visual culture. Site casts shrine construction as a problem of the organization of space: a sacred space (the shrine) converges with a public space (the street). Sight defines the shrine as a visual phenomenon:...

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Main Author: William Elison
Format: Article
Language:English
Published: Centre d’Etudes de l’Inde et de l’Asie du Sud
Series:South Asia Multidisciplinary Academic Journal
Subjects:
Online Access:https://journals.openedition.org/samaj/4540
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author William Elison
author_facet William Elison
author_sort William Elison
collection DOAJ
description This article proposes a threefold framework for analyzing wayside shrines as artifacts of visual culture. Site casts shrine construction as a problem of the organization of space: a sacred space (the shrine) converges with a public space (the street). Sight defines the shrine as a visual phenomenon: a display framing an image that projects an ideological address. Cite directs attention to the semiotic operations of the image, focusing on effects of attraction and repulsion. The argument is organized in two parts. The first part is descriptive: the author presents a range of exemplary street shrines, from rudimentary (kaccha) to solid and well finished (pakka), encountered in the course of ethnographic fieldwork in Mumbai. The second part takes a systematic approach to analyzing the visual relations street shrines engage in contemporary urban public space. The analysis hinges on a proposed re-theorization of visual worship, darshan, as a gesture of mutual recognition.
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spelling doaj.art-e874f8c9aae749fc9537e54f3e850f972024-02-12T15:38:53ZengCentre d’Etudes de l’Inde et de l’Asie du SudSouth Asia Multidisciplinary Academic Journal1960-60601810.4000/samaj.4540Site, Sight, Cite: Conceptualizing Wayside Shrines as Visual CultureWilliam ElisonThis article proposes a threefold framework for analyzing wayside shrines as artifacts of visual culture. Site casts shrine construction as a problem of the organization of space: a sacred space (the shrine) converges with a public space (the street). Sight defines the shrine as a visual phenomenon: a display framing an image that projects an ideological address. Cite directs attention to the semiotic operations of the image, focusing on effects of attraction and repulsion. The argument is organized in two parts. The first part is descriptive: the author presents a range of exemplary street shrines, from rudimentary (kaccha) to solid and well finished (pakka), encountered in the course of ethnographic fieldwork in Mumbai. The second part takes a systematic approach to analyzing the visual relations street shrines engage in contemporary urban public space. The analysis hinges on a proposed re-theorization of visual worship, darshan, as a gesture of mutual recognition.https://journals.openedition.org/samaj/4540Mumbaivisual culturedarshanslumssubalternMaharashtra
spellingShingle William Elison
Site, Sight, Cite: Conceptualizing Wayside Shrines as Visual Culture
South Asia Multidisciplinary Academic Journal
Mumbai
visual culture
darshan
slums
subaltern
Maharashtra
title Site, Sight, Cite: Conceptualizing Wayside Shrines as Visual Culture
title_full Site, Sight, Cite: Conceptualizing Wayside Shrines as Visual Culture
title_fullStr Site, Sight, Cite: Conceptualizing Wayside Shrines as Visual Culture
title_full_unstemmed Site, Sight, Cite: Conceptualizing Wayside Shrines as Visual Culture
title_short Site, Sight, Cite: Conceptualizing Wayside Shrines as Visual Culture
title_sort site sight cite conceptualizing wayside shrines as visual culture
topic Mumbai
visual culture
darshan
slums
subaltern
Maharashtra
url https://journals.openedition.org/samaj/4540
work_keys_str_mv AT williamelison sitesightciteconceptualizingwaysideshrinesasvisualculture