MYSTERY IN TECHNO-HORROR. ON THE EXAMPLE OF KAIRO (2001) BY KIYOSHI KUROSAWA
In my paper I focused on the concept of horror cinema, and on how Japanese horror films functions in reception by a modern viewer. I also try to analyse interrelations between American and Japanese horror movies. I refer to the <em>Kairo </em>as the evidence of a trend towards J-horror,...
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| Format: | Article |
| Language: | deu |
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Nicolaus Copernicus University in Toruń
2014-12-01
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| Series: | Litteraria Copernicana |
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| Online Access: | https://apcz.umk.pl/czasopisma/index.php/LC/article/view/5205 |
| Summary: | In my paper I focused on the concept of horror cinema, and on how Japanese horror films functions in reception by a modern viewer. I also try to analyse interrelations between American and Japanese horror movies. I refer to the <em>Kairo </em>as the evidence of a trend towards J-horror, not appropriate for every viewer. What I am interested in is differences between viewers who watch American and J-horror and how they are using new technology because nowadays, new technology is important part of horror movies (especially J-horror). |
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| ISSN: | 1899-315X 2392-1617 |