Lo farsesco en el Teatro invisible y en algunas performances contemporáneas

Lo farsesco en el Teatro invisible y en algunas performances contemporáneas

El articulo presenta un análisis de la pervivencia del genero farsesco en el Teatro Invisible, y en las acciones performáticas del Yes Men y de Gianni Motti. Para tal se vale de conceptos extraídos de las reflexiones sociológicas de Erwing Goffman, demostrando como la relación entre cuadro primario...

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Bibliographic Details
Main Author:	Guilherme Delgado
Format:	Article
Language:	Spanish
Published:	Ediciones Complutense (Universidad Complutense de Madrid) 2022-07-01
Series:	Talía
Subjects:	Farsa Teatro Invisible Performance Augusto Boal
Online Access:	https://revistas.ucm.es/index.php/TRET/article/view/80066

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