Venice as the Archetypal Waterscape of the 21st Century: Aleksandra Mir’s Postcards for the 53rd Biennale
As an ephemeral, portable and disposable object, the postcard is a powerful medium for the global circulation of images and the creation of enduring collective imaginaries. This essay considers a project by artist Aleksandra Mir for the 53. Venice Biennale (2009), titled VENEZIA (all places contain...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
OBOE On Biennials and Other Exhibitions Associazione Culturale
2022-09-01
|
Series: | OBOE |
Subjects: | |
Online Access: | https://www.oboejournal.com/index.php/oboe/article/view/34 |
_version_ | 1828144438550986752 |
---|---|
author | Camilla Pietrabissa |
author_facet | Camilla Pietrabissa |
author_sort | Camilla Pietrabissa |
collection | DOAJ |
description | As an ephemeral, portable and disposable object, the postcard is a powerful medium for the global circulation of images and the creation of enduring collective imaginaries. This essay considers a project by artist Aleksandra Mir for the 53. Venice Biennale (2009), titled VENEZIA (all places contain all others), which entailed the design, printing and free distribution of one million postcards. A visitor could mail the postcards on the spot, ensuring the global circulation to the project. The participatory and ephemeral nature of this postcard project is discussed in relation to the curatorial concept of that year’s Biennale, the ability of the postcard format to activate a problematic memory of place, and the various iterations of the project from 2005 to 2018. Mir’s use of the postcard format in the Venetian context stresses the close link between the contemporary art world and the economy of tourism in late capitalism.
|
first_indexed | 2024-04-11T20:15:18Z |
format | Article |
id | doaj.art-e98f74c865874d81b8b37861f78a3585 |
institution | Directory Open Access Journal |
issn | 2724-086X |
language | English |
last_indexed | 2024-04-11T20:15:18Z |
publishDate | 2022-09-01 |
publisher | OBOE On Biennials and Other Exhibitions Associazione Culturale |
record_format | Article |
series | OBOE |
spelling | doaj.art-e98f74c865874d81b8b37861f78a35852022-12-22T04:04:59ZengOBOE On Biennials and Other Exhibitions Associazione CulturaleOBOE2724-086X2022-09-013110.25432/2724-086X/3.1.0003Venice as the Archetypal Waterscape of the 21st Century: Aleksandra Mir’s Postcards for the 53rd BiennaleCamilla Pietrabissa0a:1:{s:5:"en_US";s:27:"Università IUAV di Venezia";}As an ephemeral, portable and disposable object, the postcard is a powerful medium for the global circulation of images and the creation of enduring collective imaginaries. This essay considers a project by artist Aleksandra Mir for the 53. Venice Biennale (2009), titled VENEZIA (all places contain all others), which entailed the design, printing and free distribution of one million postcards. A visitor could mail the postcards on the spot, ensuring the global circulation to the project. The participatory and ephemeral nature of this postcard project is discussed in relation to the curatorial concept of that year’s Biennale, the ability of the postcard format to activate a problematic memory of place, and the various iterations of the project from 2005 to 2018. Mir’s use of the postcard format in the Venetian context stresses the close link between the contemporary art world and the economy of tourism in late capitalism. https://www.oboejournal.com/index.php/oboe/article/view/34Aleksandra MirPostcardsOvertourismClimate changeWaterscapesReproducibility |
spellingShingle | Camilla Pietrabissa Venice as the Archetypal Waterscape of the 21st Century: Aleksandra Mir’s Postcards for the 53rd Biennale OBOE Aleksandra Mir Postcards Overtourism Climate change Waterscapes Reproducibility |
title | Venice as the Archetypal Waterscape of the 21st Century: Aleksandra Mir’s Postcards for the 53rd Biennale |
title_full | Venice as the Archetypal Waterscape of the 21st Century: Aleksandra Mir’s Postcards for the 53rd Biennale |
title_fullStr | Venice as the Archetypal Waterscape of the 21st Century: Aleksandra Mir’s Postcards for the 53rd Biennale |
title_full_unstemmed | Venice as the Archetypal Waterscape of the 21st Century: Aleksandra Mir’s Postcards for the 53rd Biennale |
title_short | Venice as the Archetypal Waterscape of the 21st Century: Aleksandra Mir’s Postcards for the 53rd Biennale |
title_sort | venice as the archetypal waterscape of the 21st century aleksandra mir s postcards for the 53rd biennale |
topic | Aleksandra Mir Postcards Overtourism Climate change Waterscapes Reproducibility |
url | https://www.oboejournal.com/index.php/oboe/article/view/34 |
work_keys_str_mv | AT camillapietrabissa veniceasthearchetypalwaterscapeofthe21stcenturyaleksandramirspostcardsforthe53rdbiennale |