LA SYMÉTRIE HARMONIQUE DANS LA CONSTRUCTION FORMELLE DE DON JUAN («MASQUES» OP. 34) DE KAROL SZYMANOWSKI
The purpose of this study is to show—by means of a rigorous analysis of the harmonic principles which govern the multiple sections of the work—that beyond the apparently heterogeneous surface the musical discourse is coherently and subtly organised within a space governed by complex relations of sym...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2016-06-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | http://193.231.18.162:80/index.php/subbmusica/article/view/5134 |
| Summary: | The purpose of this study is to show—by means of a rigorous analysis of the harmonic principles which govern the multiple sections of the work—that beyond the apparently heterogeneous surface the musical discourse is coherently and subtly organised within a space governed by complex relations of symmetry. Through these symmetries we witness a constant resonance between microcosm and macrocosm. This analysis brings new light upon Szymanowski’s architectural conception, which suddenly reveals itself clear and intelligible. |
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| ISSN: | 1844-4369 2065-9628 |