LA SYMÉTRIE HARMONIQUE DANS LA CONSTRUCTION FORMELLE DE DON JUAN («MASQUES» OP. 34) DE KAROL SZYMANOWSKI

The purpose of this study is to show—by means of a rigorous analysis of the harmonic principles which govern the multiple sections of the work—that beyond the apparently heterogeneous surface the musical discourse is coherently and subtly organised within a space governed by complex relations of sym...

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Main Author: Christophe ALVAREZ
Format: Article
Language:English
Published: Babeș-Bolyai University 2016-06-01
Series:Studia Universitatis Babeş-Bolyai. Musica
Subjects:
Online Access:http://193.231.18.162:80/index.php/subbmusica/article/view/5134
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author Christophe ALVAREZ
author_facet Christophe ALVAREZ
author_sort Christophe ALVAREZ
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description The purpose of this study is to show—by means of a rigorous analysis of the harmonic principles which govern the multiple sections of the work—that beyond the apparently heterogeneous surface the musical discourse is coherently and subtly organised within a space governed by complex relations of symmetry. Through these symmetries we witness a constant resonance between microcosm and macrocosm. This analysis brings new light upon Szymanowski’s architectural conception, which suddenly reveals itself clear and intelligible.
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spelling doaj.art-e99ae3ca5f58412f9efdcf4ade8aae572024-01-01T09:29:31ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282016-06-01611LA SYMÉTRIE HARMONIQUE DANS LA CONSTRUCTION FORMELLE DE DON JUAN («MASQUES» OP. 34) DE KAROL SZYMANOWSKIChristophe ALVAREZ0Université de Nice Sophia Antipolis, 28 avenue Valrose, 06000, Nice, France. Chercheur et Assistant Enseignant. E-mail : chri_alva@yahoo.frThe purpose of this study is to show—by means of a rigorous analysis of the harmonic principles which govern the multiple sections of the work—that beyond the apparently heterogeneous surface the musical discourse is coherently and subtly organised within a space governed by complex relations of symmetry. Through these symmetries we witness a constant resonance between microcosm and macrocosm. This analysis brings new light upon Szymanowski’s architectural conception, which suddenly reveals itself clear and intelligible.http://193.231.18.162:80/index.php/subbmusica/article/view/5134Szymanowski, harmony, symmetry, quintal organization, pillars, formal conception
spellingShingle Christophe ALVAREZ
LA SYMÉTRIE HARMONIQUE DANS LA CONSTRUCTION FORMELLE DE DON JUAN («MASQUES» OP. 34) DE KAROL SZYMANOWSKI
Studia Universitatis Babeş-Bolyai. Musica
Szymanowski, harmony, symmetry, quintal organization, pillars, formal conception
title LA SYMÉTRIE HARMONIQUE DANS LA CONSTRUCTION FORMELLE DE DON JUAN («MASQUES» OP. 34) DE KAROL SZYMANOWSKI
title_full LA SYMÉTRIE HARMONIQUE DANS LA CONSTRUCTION FORMELLE DE DON JUAN («MASQUES» OP. 34) DE KAROL SZYMANOWSKI
title_fullStr LA SYMÉTRIE HARMONIQUE DANS LA CONSTRUCTION FORMELLE DE DON JUAN («MASQUES» OP. 34) DE KAROL SZYMANOWSKI
title_full_unstemmed LA SYMÉTRIE HARMONIQUE DANS LA CONSTRUCTION FORMELLE DE DON JUAN («MASQUES» OP. 34) DE KAROL SZYMANOWSKI
title_short LA SYMÉTRIE HARMONIQUE DANS LA CONSTRUCTION FORMELLE DE DON JUAN («MASQUES» OP. 34) DE KAROL SZYMANOWSKI
title_sort la symetrie harmonique dans la construction formelle de don juan masques op 34 de karol szymanowski
topic Szymanowski, harmony, symmetry, quintal organization, pillars, formal conception
url http://193.231.18.162:80/index.php/subbmusica/article/view/5134
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