| Summary: | From its onset, the Gothic has attempted to challenge established norms and conventions, either for sensational effects or to question their homogenizing and reductive tendencies. The questioning or reinforcing of received notions of femininity in Gothic fiction has been much debated by critics, with the concept of masculinity coming second. The present paper discusses normative masculinity as it was perceived in the 19th century and how E.T.A. Hoffmann, Edgar Allan Poe and Guy de Maupassant challenge its validity by creating male characters who adopt a hysterical, almost feminine voice, contesting the belief that hysteria was a “female malady”. The characters expose their unconventional masculinity, which resists the model of the ‘ganzer Mann’ in Germany, ‘marketplace man’ in US and the ‘conjugal heterosexual’ in France.
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