The Authenticity Feeling: Language and Dialect in the Historical Film
The pursuit of authenticity is film’s dominant mode of historical representation. For the overwhelming majority of historical film makers and audiences, authenticity signifies a realistic historical experience, an effective suspension of temporal-spatial disbelief. Authenticity, as the engine of mai...
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| Format: | Article |
| Language: | English |
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University of Bremen
2018-11-01
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| Series: | Research in Film and History |
| Subjects: | |
| Online Access: | https://film-history.org/approaches/authenticity-feeling |
| _version_ | 1818648541422157824 |
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| author | Frey, Mattias |
| author_facet | Frey, Mattias |
| author_sort | Frey, Mattias |
| collection | DOAJ |
| description | The pursuit of authenticity is film’s dominant mode of historical representation. For the overwhelming majority of historical film makers and audiences, authenticity signifies a realistic historical experience, an effective suspension of temporal-spatial disbelief. Authenticity, as the engine of mainstream historical filmmaking, has three chief functions: as an aesthetic strategy, a reception discourse and a marketing discourse. |
| first_indexed | 2024-12-17T01:20:04Z |
| format | Article |
| id | doaj.art-e9c67a41a8f5422aa9603e1847a150bc |
| institution | Directory Open Access Journal |
| issn | 2627-5848 |
| language | English |
| last_indexed | 2024-12-17T01:20:04Z |
| publishDate | 2018-11-01 |
| publisher | University of Bremen |
| record_format | Article |
| series | Research in Film and History |
| spelling | doaj.art-e9c67a41a8f5422aa9603e1847a150bc2022-12-21T22:08:52ZengUniversity of BremenResearch in Film and History2627-58482018-11-01New Approaches148https://doi.org/10.25969/mediarep/14811The Authenticity Feeling: Language and Dialect in the Historical FilmFrey, MattiasThe pursuit of authenticity is film’s dominant mode of historical representation. For the overwhelming majority of historical film makers and audiences, authenticity signifies a realistic historical experience, an effective suspension of temporal-spatial disbelief. Authenticity, as the engine of mainstream historical filmmaking, has three chief functions: as an aesthetic strategy, a reception discourse and a marketing discourse.https://film-history.org/approaches/authenticity-feelingauthenticitydialecthistorical filmlanguagethe king's speechdas wunder von bernzodiac |
| spellingShingle | Frey, Mattias The Authenticity Feeling: Language and Dialect in the Historical Film Research in Film and History authenticity dialect historical film language the king's speech das wunder von bern zodiac |
| title | The Authenticity Feeling: Language and Dialect in the Historical Film |
| title_full | The Authenticity Feeling: Language and Dialect in the Historical Film |
| title_fullStr | The Authenticity Feeling: Language and Dialect in the Historical Film |
| title_full_unstemmed | The Authenticity Feeling: Language and Dialect in the Historical Film |
| title_short | The Authenticity Feeling: Language and Dialect in the Historical Film |
| title_sort | authenticity feeling language and dialect in the historical film |
| topic | authenticity dialect historical film language the king's speech das wunder von bern zodiac |
| url | https://film-history.org/approaches/authenticity-feeling |
| work_keys_str_mv | AT freymattias theauthenticityfeelinglanguageanddialectinthehistoricalfilm AT freymattias authenticityfeelinglanguageanddialectinthehistoricalfilm |