Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love
This essay will hunt down and classify the concept of the national as a discourse in Turkish cinema that has been constructed back in 1965, by the film critics, by filmmakers and finally by today’s theoretical standards. So the questions we will be constantly asking throughout the essay can be: Is w...
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Format: | Article |
Language: | English |
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University of Pittsburgh
2014-04-01
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Series: | CINEJ Cinema Journal |
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Online Access: | http://cinej.pitt.edu/ojs/index.php/cinej/article/view/57 |
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author | Murat Akser |
author_facet | Murat Akser |
author_sort | Murat Akser |
collection | DOAJ |
description | This essay will hunt down and classify the concept of the national as a discourse in Turkish cinema that has been constructed back in 1965, by the film critics, by filmmakers and finally by today’s theoretical standards. So the questions we will be constantly asking throughout the essay can be: Is what can be called part of national film culture and identity? Is defining a film part of national heritage a modernist act that is also related to theories of nationalism? Is what makes a film national a stylistic application of a particular genre (such as melodrama)? Does the allure of the film come from the construction of a hero-cult after a director deemed to be national? |
first_indexed | 2024-12-12T18:52:50Z |
format | Article |
id | doaj.art-e9e1230fa2d44bbda0bbde80f901e1a3 |
institution | Directory Open Access Journal |
issn | 2159-2411 2158-8724 |
language | English |
last_indexed | 2024-12-12T18:52:50Z |
publishDate | 2014-04-01 |
publisher | University of Pittsburgh |
record_format | Article |
series | CINEJ Cinema Journal |
spelling | doaj.art-e9e1230fa2d44bbda0bbde80f901e1a32022-12-22T00:15:20ZengUniversity of PittsburghCINEJ Cinema Journal2159-24112158-87242014-04-013116218010.5195/cinej.2013.5768Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To LoveMurat Akser0University of UlsterThis essay will hunt down and classify the concept of the national as a discourse in Turkish cinema that has been constructed back in 1965, by the film critics, by filmmakers and finally by today’s theoretical standards. So the questions we will be constantly asking throughout the essay can be: Is what can be called part of national film culture and identity? Is defining a film part of national heritage a modernist act that is also related to theories of nationalism? Is what makes a film national a stylistic application of a particular genre (such as melodrama)? Does the allure of the film come from the construction of a hero-cult after a director deemed to be national?http://cinej.pitt.edu/ojs/index.php/cinej/article/view/57Turkish cinemanational cinemanation stateMetin ErksanYeşilçam |
spellingShingle | Murat Akser Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love CINEJ Cinema Journal Turkish cinema national cinema nation state Metin Erksan Yeşilçam |
title | Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love |
title_full | Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love |
title_fullStr | Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love |
title_full_unstemmed | Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love |
title_short | Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love |
title_sort | auteur and style in national cinema a reframing of metin erksan s time to love |
topic | Turkish cinema national cinema nation state Metin Erksan Yeşilçam |
url | http://cinej.pitt.edu/ojs/index.php/cinej/article/view/57 |
work_keys_str_mv | AT muratakser auteurandstyleinnationalcinemaareframingofmetinerksanstimetolove |