THE MEANING RATIO IN RELIGIOUS ECPHRASIS (BASED ON DOSTOEVSKY'S «CRIME AND PUNISHMENT» AND GRAPHIC BY D. A. SHMARINOV, M. P. KLODT, O. S. YEVSEYEV)
This article analyzes the meaning of the verbal text about alcoholism in F. M. Dostoevsky's «Crime and Punishment» illustrated by the image of Marmeladov. The article also reveals semantic correspondence of the verbal text and graphic by Russian artists of the late XIX – early XX centuries, suc...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Russian |
| Published: |
Komsomolsk-na-Amure State Technical University
2016-06-01
|
| Series: | Učenye Zapiski Komsomolʹskogo-na-Amure Gosudarstvennogo Tehničeskogo Universiteta |
| Subjects: | |
| Online Access: | http://www.uzknastu.ru/files/pdf/26/2/12.pdf |
| Summary: | This article analyzes the meaning of the verbal text about alcoholism in F. M. Dostoevsky's «Crime and Punishment» illustrated by the image of Marmeladov. The article also reveals semantic correspondence of the verbal text and graphic by Russian artists of the late XIX – early XX centuries, such as D. A. Shmarinov’s «Marmeladov in the tavern», M. P Klodt 's «Raskolnikov and Marmeladov» and O. S. Yevseyev's «Raskolnikov and Marmeladov in the tavern» in terms of religious ecphrasis. The author considers the semantic ratio between patristic heritage of drinking wine sin with the verbal text of the novel and its picturesque visualization in the context of a religious reading. |
|---|---|
| ISSN: | 2076-4359 2222-5218 |