The overlapped skyline of the Baroque cities in the Val di Noto.

<p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">The urban landscape of the Val di Noto has an extraordinary charm, not only for the architectural features of the Baroque, which are present in the historic centers, but also and ab...

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Main Author: Salvatore Santuccio
Format: Article
Language:English
Published: University of L'Aquila 2019-06-01
Series:Disegnare con
Subjects:
Online Access:https://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/497
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author Salvatore Santuccio
author_facet Salvatore Santuccio
author_sort Salvatore Santuccio
collection DOAJ
description <p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">The urban landscape of the Val di Noto has an extraordinary charm, not only for the architectural features of the Baroque, which are present in the historic centers, but also and above all, for the incredible relationship with the complex and steep morphology, made up of narrow valleys and slopes strongly accentuated. This generates strongly “vertical” urban landscapes, with overlaps systems of very interesting prospects. This article aims to show how the global representation of this urban typology is different and interesting, through the drawing of its landscapes, with the stratification of its buildings and the extraordinary presence of stairs as road links and with the relationship between buildings that orients the town views in vertical direction. The work of representation of these historical centers, presented here, is the result of three years of on-site workshops, held with a group of American students, precisely on the theme of the drawing of Sicilian baroque.</span></p><p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">The main innovation was in the changing of the traditional system of representation of the horizontal urban view, with a descriptive organization that presented, through vertical fragments, the system of overlapping spaces. This system had as its main cultural references the travels in the Middle East and the graphic description of medinas developed in height, very frequent in the Maghreb, starting from the Tunisreise of Klee, Macke and Moilliet, to the drawings of Matisse for Tangier; or to the vertical views of Renoir of Algiers.</span></p><p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">DOI: <a href="https://doi.org/10.20365/disegnarecon.22.2019.24" rel="noopener" target="_blank">https://doi.org/10.20365/disegnarecon.22.2019.24</a><br /></span></p>
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spelling doaj.art-eace5a3cba484dd38c25d0e989c9794d2024-01-15T07:37:59ZengUniversity of L'AquilaDisegnare con1828-59612019-06-011222124248The overlapped skyline of the Baroque cities in the Val di Noto.Salvatore Santuccio0Università degli Studi di Camerino, Scuola di Architettura e Design "E, Vittoria"<p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">The urban landscape of the Val di Noto has an extraordinary charm, not only for the architectural features of the Baroque, which are present in the historic centers, but also and above all, for the incredible relationship with the complex and steep morphology, made up of narrow valleys and slopes strongly accentuated. This generates strongly “vertical” urban landscapes, with overlaps systems of very interesting prospects. This article aims to show how the global representation of this urban typology is different and interesting, through the drawing of its landscapes, with the stratification of its buildings and the extraordinary presence of stairs as road links and with the relationship between buildings that orients the town views in vertical direction. The work of representation of these historical centers, presented here, is the result of three years of on-site workshops, held with a group of American students, precisely on the theme of the drawing of Sicilian baroque.</span></p><p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">The main innovation was in the changing of the traditional system of representation of the horizontal urban view, with a descriptive organization that presented, through vertical fragments, the system of overlapping spaces. This system had as its main cultural references the travels in the Middle East and the graphic description of medinas developed in height, very frequent in the Maghreb, starting from the Tunisreise of Klee, Macke and Moilliet, to the drawings of Matisse for Tangier; or to the vertical views of Renoir of Algiers.</span></p><p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">DOI: <a href="https://doi.org/10.20365/disegnarecon.22.2019.24" rel="noopener" target="_blank">https://doi.org/10.20365/disegnarecon.22.2019.24</a><br /></span></p>https://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/497skyline, val di noto, urban landscape, drawing, baroque.
spellingShingle Salvatore Santuccio
The overlapped skyline of the Baroque cities in the Val di Noto.
Disegnare con
skyline, val di noto, urban landscape, drawing, baroque.
title The overlapped skyline of the Baroque cities in the Val di Noto.
title_full The overlapped skyline of the Baroque cities in the Val di Noto.
title_fullStr The overlapped skyline of the Baroque cities in the Val di Noto.
title_full_unstemmed The overlapped skyline of the Baroque cities in the Val di Noto.
title_short The overlapped skyline of the Baroque cities in the Val di Noto.
title_sort overlapped skyline of the baroque cities in the val di noto
topic skyline, val di noto, urban landscape, drawing, baroque.
url https://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/497
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