L’écriture détournée par la sérigraphie dans les poèmes-estampes de Roland Giguère

The surrealist Quebec poet, painter and artists’ books editor Roland Giguère has based his entire work on a dialogue between poetry and visual arts (painting, serigraphy, typography) in order to experiment the iconicity of writing. He has composed a graphic poetry made of plastic and iconic signs as...

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Main Author: Emmanuelle Pelard
Format: Article
Language:fra
Published: The John Paul II Catholic University of Lublin & Werset Publishing House 2016-12-01
Series:Quêtes Littéraires
Subjects:
Online Access:http://czasopisma.kul.pl/ql/article/view/218
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author Emmanuelle Pelard
author_facet Emmanuelle Pelard
author_sort Emmanuelle Pelard
collection DOAJ
description The surrealist Quebec poet, painter and artists’ books editor Roland Giguère has based his entire work on a dialogue between poetry and visual arts (painting, serigraphy, typography) in order to experiment the iconicity of writing. He has composed a graphic poetry made of plastic and iconic signs as well as graphic signs, playing with the semiotic ambiguity to create poetic effects and sense. His polysemiotic experiment of the poem based on a specific use of serigraphy has impacted the readability, but has paradoxically shown a new kind of poeticity and the expressiveness of writing. The aim of this article is to establish how the writing subversion and the semiotic experiment allowed by an original use of serigraphy creates poetry.
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spelling doaj.art-eb13cd47a3cc4a6881b04debe90f8ba92023-09-02T09:25:44ZfraThe John Paul II Catholic University of Lublin & Werset Publishing HouseQuêtes Littéraires2084-80992016-12-01610.31743/ql.218L’écriture détournée par la sérigraphie dans les poèmes-estampes de Roland GiguèreEmmanuelle Pelard0Université du LuxembourgThe surrealist Quebec poet, painter and artists’ books editor Roland Giguère has based his entire work on a dialogue between poetry and visual arts (painting, serigraphy, typography) in order to experiment the iconicity of writing. He has composed a graphic poetry made of plastic and iconic signs as well as graphic signs, playing with the semiotic ambiguity to create poetic effects and sense. His polysemiotic experiment of the poem based on a specific use of serigraphy has impacted the readability, but has paradoxically shown a new kind of poeticity and the expressiveness of writing. The aim of this article is to establish how the writing subversion and the semiotic experiment allowed by an original use of serigraphy creates poetry.http://czasopisma.kul.pl/ql/article/view/218Quebec surrealismRoland Giguèregraphic poetrypoetic serigraphysemiotic experiment
spellingShingle Emmanuelle Pelard
L’écriture détournée par la sérigraphie dans les poèmes-estampes de Roland Giguère
Quêtes Littéraires
Quebec surrealism
Roland Giguère
graphic poetry
poetic serigraphy
semiotic experiment
title L’écriture détournée par la sérigraphie dans les poèmes-estampes de Roland Giguère
title_full L’écriture détournée par la sérigraphie dans les poèmes-estampes de Roland Giguère
title_fullStr L’écriture détournée par la sérigraphie dans les poèmes-estampes de Roland Giguère
title_full_unstemmed L’écriture détournée par la sérigraphie dans les poèmes-estampes de Roland Giguère
title_short L’écriture détournée par la sérigraphie dans les poèmes-estampes de Roland Giguère
title_sort l ecriture detournee par la serigraphie dans les poemes estampes de roland giguere
topic Quebec surrealism
Roland Giguère
graphic poetry
poetic serigraphy
semiotic experiment
url http://czasopisma.kul.pl/ql/article/view/218
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