Love and loathing in Cape Town

Today, the platonic forms of the modernist, Corbusian-inspired Werdmuller Centre, by South African architect and urban designer Roelof Uytenbogaardt, stand against a background of decay in a neglected corner of Claremont, Cape Town. Controversial ever since its construction in the 1970s, the buildin...

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Main Author: Noëleen Murray
Format: Article
Language:deu
Published: Institut National d'Histoire de l'Art
Series:ABE Journal
Subjects:
Online Access:https://journals.openedition.org/abe/376
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author Noëleen Murray
author_facet Noëleen Murray
author_sort Noëleen Murray
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description Today, the platonic forms of the modernist, Corbusian-inspired Werdmuller Centre, by South African architect and urban designer Roelof Uytenbogaardt, stand against a background of decay in a neglected corner of Claremont, Cape Town. Controversial ever since its construction in the 1970s, the building is again the vortex of a dispute. It has been subject to a process of consideration for “heritage worthiness”, drawing public attention in the post-colonial, post-apartheid present to the contemporary significance of Uytenbogaardt’s work. Cape Town has been nominated World Design Capital in 2014, and the Werdmuller Centre, standing almost in ruins, exemplifies many of the tensions that exist over the presence of modernist design and buildings in the contemporary city. Occupying a site considered to have commercial development potential by its owners, its proposed demolition is opposed by architects who argue that the Werdmuller Centre deserves to be classified as “heritage”. As the building’s future hangs in the balance, the debates that have emerged since the announcement of intentions to demolish have become heightened in 2013, revealing the contested nature of modern architecture in post-apartheid South Africa.
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spelling doaj.art-eb28dee0d0c04fc49d1b2811f9466d382024-02-15T14:00:20ZdeuInstitut National d'Histoire de l'ArtABE Journal2275-6639310.4000/abe.376Love and loathing in Cape TownNoëleen MurrayToday, the platonic forms of the modernist, Corbusian-inspired Werdmuller Centre, by South African architect and urban designer Roelof Uytenbogaardt, stand against a background of decay in a neglected corner of Claremont, Cape Town. Controversial ever since its construction in the 1970s, the building is again the vortex of a dispute. It has been subject to a process of consideration for “heritage worthiness”, drawing public attention in the post-colonial, post-apartheid present to the contemporary significance of Uytenbogaardt’s work. Cape Town has been nominated World Design Capital in 2014, and the Werdmuller Centre, standing almost in ruins, exemplifies many of the tensions that exist over the presence of modernist design and buildings in the contemporary city. Occupying a site considered to have commercial development potential by its owners, its proposed demolition is opposed by architects who argue that the Werdmuller Centre deserves to be classified as “heritage”. As the building’s future hangs in the balance, the debates that have emerged since the announcement of intentions to demolish have become heightened in 2013, revealing the contested nature of modern architecture in post-apartheid South Africa.https://journals.openedition.org/abe/376heritageurban designmodern architectureapartheid
spellingShingle Noëleen Murray
Love and loathing in Cape Town
ABE Journal
heritage
urban design
modern architecture
apartheid
title Love and loathing in Cape Town
title_full Love and loathing in Cape Town
title_fullStr Love and loathing in Cape Town
title_full_unstemmed Love and loathing in Cape Town
title_short Love and loathing in Cape Town
title_sort love and loathing in cape town
topic heritage
urban design
modern architecture
apartheid
url https://journals.openedition.org/abe/376
work_keys_str_mv AT noeleenmurray loveandloathingincapetown