| Summary: | In the rural areas of China, construction is growing vigorously, and the question of how to realize the creative inheritance and development of these areas in the regional context, as well as the exploration of new construction methods and paths, are important problems. Nowadays, there are two developing trends in terms of research methods. Firstly, the boundaries between various disciplines are becoming increasingly blurred, and interdisciplinary theoretical reference has become an effective means of realizing innovation in this field. The other trend relates to the great development of digital technology, such as parameterization and spatial information technology. This technological innovation sheds new light on rural image construction. This study aims to draw on the montage art concept and organization techniques and to integrate the new technical language into the construction of new aesthetic orientations and context-related inheritance paths of rural historical places in China. Based on the aesthetic relevance of montage aesthetics to rural regional characteristics, the aesthetic cognition of the rural area in Guangdong is analyzed and demonstrated. Then, the strategies and methods used for the construction of rural area are established based on four layers, i.e., the narrative clues, base site pattern, spatial interfaces and monomer construction. The present research expands on the perspectives and methods of rural reconstruction, provides new ideas for the current rural practice, and is conducive to promoting the systematic study of rural construction theory.
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