El cuerpo travesti como urdimbre neobarroca y como desecho en la novela Cobra (1972) de Severo Sarduy. // the transvestite body as a neo-baroque litter and weave in Severo Sarduy`s novel Cobra (1972).
In the current work we will analyze the role of the transvestite body as litter and weave in Cuban writer Severo Sarduy's novel Cobra (1972). First, we will present a brief differentiation among Alejo Carpentier's, Lezama Lima’s, and Sarduy's baroque, from some conceptual elements giv...
Main Author: | Andrés Arteaga. |
---|---|
Format: | Article |
Language: | Spanish |
Published: |
Universidad de Antioquia
2008-12-01
|
Series: | Affectio Societatis |
Subjects: | |
Online Access: | http://aprendeenlinea.udea.edu.co/revistas/index.php/affectiosocietatis/article/viewFile/5325/6579 |
Similar Items
-
Formas de la episteme romántica en Severo Sarduy
by: Luciana Martínez
Published: (2023-11-01) -
Los orígenes onto-cosmo-lógicos de Severo Sarduy
by: Rolando PÉREZ
Published: (2015-06-01) -
At the glimmer of the analogies. The formation of the neo-baroque method in José Lezama Lima and Severo Sarduy
by: María José Rossi
Published: (2018-08-01) -
Severo Sarduy y la evocación perpetua: topónimos, gentilicios y extranjerismos en Maitreya
by: Jose Dario Martinez Milantchi
Published: (2023-06-01) -
Barroco e Poesia Experimental
by: Maria Dos Prazeres Gomes
Published: (2021-09-01)