Dorian Gray from the page to the screen. A comparative semiotic analysis of The Picture of Dorian Gray (Oscar Wilde, 1891) and The Picture of Dorian Gray (Albert Lewin, 1945)

Oscar Wilde’s only novel, The Picture of Dorian Gray (1891), and its homonymous screen adaptation which dates back to the period immediately following WWII, The Picture of Dorian Gray (1945), directed by Albert Lewin, constitute an interesting example of semiotic transference from the page to the sc...

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Bibliographic Details
Main Author: Costal Criado, Tomás
Format: Article
Language:English
Published: Universidad de Alicante 2016-11-01
Series:Revista Alicantina de Estudios Ingleses
Online Access:https://raei.ua.es/article/view/2016-n29-dorian-gray-from-the-page-to-the-screen-a-comparative-semiotic-analysis-of-the-picture-of-dorian-gray-oscar-wilde-1891-and-the-picture-of-dorian-gray-albert-lewin-1945