Asociaciones, disputas y redes internacionales. La gestión de los festivales de música de Caracas, Montevideo y Washington entre 1954 y 1966
The festivals held between 1954 and 1966 in Caracas, Montevideo, and Washington highlighted in their statements the Latin American or Inter-American character of their convocation. When paying attention to the repertoires, guests, organizers, and festivals' activities, these geographical catego...
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| Format: | Article |
| Language: | English |
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Pontificia Universidad Católica de Chile
2022-06-01
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| Series: | Resonancias |
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| Online Access: | https://resonancias.uc.cl/n-50/asociaciones-disputas-y-redes-internacionales-la-gestion-de-los-festivales-de-musica-de-caracas-montevideo-y-washington-entre-1954-y-1966/ |
| _version_ | 1797673278738792448 |
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| author | Hernán Gabriel Vázquez |
| author_facet | Hernán Gabriel Vázquez |
| author_sort | Hernán Gabriel Vázquez |
| collection | DOAJ |
| description | The festivals held between 1954 and 1966 in Caracas, Montevideo, and Washington highlighted in their statements the Latin American or Inter-American character of their convocation. When paying attention to the repertoires, guests, organizers, and festivals' activities, these geographical categories get blurred since it is possible to find associations, links, and regularities that indicate both aesthetic trends and regional linkage strategies. The connections and associations resulting from the development of music festivals are investigated to detect the tensions between discourses, actions, and musical creations as indexes of aesthetic positioning. Through a sociological approach based on the Actor-Network Theory and historiographic tools, this article studies the relationships between interpersonal links, strategic interests, institutions, and musical works (as non-human actors). In doing so, it accounts for the alliances or interferences that made possible the sustenance or stimulation of the musical creation during those years. The conclusions reached (the interference of certain actors as fundamental mediators in some key controversies) are based on sources from repositories located in the United States, Uruguay, and Argentina. |
| first_indexed | 2024-03-11T21:43:09Z |
| format | Article |
| id | doaj.art-ebb0dc4c7ddb4846a19c4c1b5ddce9a9 |
| institution | Directory Open Access Journal |
| issn | 0719-5702 0717-3474 |
| language | English |
| last_indexed | 2024-03-11T21:43:09Z |
| publishDate | 2022-06-01 |
| publisher | Pontificia Universidad Católica de Chile |
| record_format | Article |
| series | Resonancias |
| spelling | doaj.art-ebb0dc4c7ddb4846a19c4c1b5ddce9a92023-09-26T12:49:15ZengPontificia Universidad Católica de ChileResonancias0719-57020717-34742022-06-012650154310.7764/res.2022.50.3Asociaciones, disputas y redes internacionales. La gestión de los festivales de música de Caracas, Montevideo y Washington entre 1954 y 1966Hernán Gabriel Vázquez0Instituto Nacional de Musicología “Carlos Vega”The festivals held between 1954 and 1966 in Caracas, Montevideo, and Washington highlighted in their statements the Latin American or Inter-American character of their convocation. When paying attention to the repertoires, guests, organizers, and festivals' activities, these geographical categories get blurred since it is possible to find associations, links, and regularities that indicate both aesthetic trends and regional linkage strategies. The connections and associations resulting from the development of music festivals are investigated to detect the tensions between discourses, actions, and musical creations as indexes of aesthetic positioning. Through a sociological approach based on the Actor-Network Theory and historiographic tools, this article studies the relationships between interpersonal links, strategic interests, institutions, and musical works (as non-human actors). In doing so, it accounts for the alliances or interferences that made possible the sustenance or stimulation of the musical creation during those years. The conclusions reached (the interference of certain actors as fundamental mediators in some key controversies) are based on sources from repositories located in the United States, Uruguay, and Argentina.https://resonancias.uc.cl/n-50/asociaciones-disputas-y-redes-internacionales-la-gestion-de-los-festivales-de-musica-de-caracas-montevideo-y-washington-entre-1954-y-1966/actor-networkinter-americanlatin american musicdomingo santa cruzguillermo espinosainocente palacios |
| spellingShingle | Hernán Gabriel Vázquez Asociaciones, disputas y redes internacionales. La gestión de los festivales de música de Caracas, Montevideo y Washington entre 1954 y 1966 Resonancias actor-network inter-american latin american music domingo santa cruz guillermo espinosa inocente palacios |
| title | Asociaciones, disputas y redes internacionales. La gestión de los festivales de música de Caracas, Montevideo y Washington entre 1954 y 1966 |
| title_full | Asociaciones, disputas y redes internacionales. La gestión de los festivales de música de Caracas, Montevideo y Washington entre 1954 y 1966 |
| title_fullStr | Asociaciones, disputas y redes internacionales. La gestión de los festivales de música de Caracas, Montevideo y Washington entre 1954 y 1966 |
| title_full_unstemmed | Asociaciones, disputas y redes internacionales. La gestión de los festivales de música de Caracas, Montevideo y Washington entre 1954 y 1966 |
| title_short | Asociaciones, disputas y redes internacionales. La gestión de los festivales de música de Caracas, Montevideo y Washington entre 1954 y 1966 |
| title_sort | asociaciones disputas y redes internacionales la gestion de los festivales de musica de caracas montevideo y washington entre 1954 y 1966 |
| topic | actor-network inter-american latin american music domingo santa cruz guillermo espinosa inocente palacios |
| url | https://resonancias.uc.cl/n-50/asociaciones-disputas-y-redes-internacionales-la-gestion-de-los-festivales-de-musica-de-caracas-montevideo-y-washington-entre-1954-y-1966/ |
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