نظام معنایی مبتنی‌بر «تطبیق» و گذر از نشانه ـ معناشناسی کلاسیک به دورنمای پدیدارشناختی

The image of French semiotics has been frozen since1960; for instance a formal discipline of working principle on completetexts, excluded from experiences , that is to say texts taken out of context , subjects separated from their history, and objects emptied of their substance , and the constructi...

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Bibliographic Details
Main Author: مرتضی بابک معین
Format: Article
Language:fas
Published: Shahid Beheshti University 2014-03-01
Series:Naqd-i Zabān va Adabīyyāt-i Khārijī
Subjects:
Online Access:http://clls.sbu.ac.ir/article/view/4815
Description
Summary:The image of French semiotics has been frozen since1960; for instance a formal discipline of working principle on completetexts, excluded from experiences , that is to say texts taken out of context , subjects separated from their history, and objects emptied of their substance , and the construction of meaning without presence . But, in recent decades we witnessed the transition from classical semiotics based onpositivism to the phenomenological origins of semiotics. The main problem of this article is to answer this question :How does Eric Landowski , French sociosémiologue , emphasize the lost -dimensional senseof meaning and highlight concepts such as aesthesia , Presence , adjustment and dynamic interaction of subjects, complete both plans of meaning already present in the classical narrative semiotics , namely , programming and manipulation, and defines systematically four regimes of meaning.
ISSN:2008-7330
2588-7068