Technai e prerogative divine sulla scena del teatro di Eschilo*

The paper investigates so-called technai in Aeschylus’ works, particularly with regard to the role attributed to the Gods as primary, if not unique actors and discoverers of technical knowledge. From the detailed study of the vocabulary of the word techne and its connected forms, extended to all Aes...

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Main Author: Franco Giorgianni
Format: Article
Language:Italian
Published: Salvatore Sciascia Editore 2017-12-01
Series:Mythos
Subjects:
Online Access:http://journals.openedition.org/mythos/642
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author Franco Giorgianni
author_facet Franco Giorgianni
author_sort Franco Giorgianni
collection DOAJ
description The paper investigates so-called technai in Aeschylus’ works, particularly with regard to the role attributed to the Gods as primary, if not unique actors and discoverers of technical knowledge. From the detailed study of the vocabulary of the word techne and its connected forms, extended to all Aeschylean dramas, a double meaning of technical knowledge emerges, a traditional as well as a specifically Promethean one. From this point of view, the dramatic plot described in Prometheus Bound seems to be particularly relevant in order to understand aspects of continuity and differences which underlie Greek thought and specifically Aeschylus’ on techne. The paper closes by a critical review of the following two passages of the Aeschylus’ work: Ag. v. 1129 and fr. 375 Radt.
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spelling doaj.art-ec21b7e11f2147f09fd53c29668976b02023-04-04T09:49:28ZitaSalvatore Sciascia EditoreMythos1972-25162037-77462017-12-011113114410.4000/mythos.642Technai e prerogative divine sulla scena del teatro di Eschilo*Franco GiorgianniThe paper investigates so-called technai in Aeschylus’ works, particularly with regard to the role attributed to the Gods as primary, if not unique actors and discoverers of technical knowledge. From the detailed study of the vocabulary of the word techne and its connected forms, extended to all Aeschylean dramas, a double meaning of technical knowledge emerges, a traditional as well as a specifically Promethean one. From this point of view, the dramatic plot described in Prometheus Bound seems to be particularly relevant in order to understand aspects of continuity and differences which underlie Greek thought and specifically Aeschylus’ on techne. The paper closes by a critical review of the following two passages of the Aeschylus’ work: Ag. v. 1129 and fr. 375 Radt.http://journals.openedition.org/mythos/642technaiPrometheusAeschylusancient Greek drama and thoughtdivine and human qualities
spellingShingle Franco Giorgianni
Technai e prerogative divine sulla scena del teatro di Eschilo*
Mythos
technai
Prometheus
Aeschylus
ancient Greek drama and thought
divine and human qualities
title Technai e prerogative divine sulla scena del teatro di Eschilo*
title_full Technai e prerogative divine sulla scena del teatro di Eschilo*
title_fullStr Technai e prerogative divine sulla scena del teatro di Eschilo*
title_full_unstemmed Technai e prerogative divine sulla scena del teatro di Eschilo*
title_short Technai e prerogative divine sulla scena del teatro di Eschilo*
title_sort technai e prerogative divine sulla scena del teatro di eschilo
topic technai
Prometheus
Aeschylus
ancient Greek drama and thought
divine and human qualities
url http://journals.openedition.org/mythos/642
work_keys_str_mv AT francogiorgianni technaieprerogativedivinesullascenadelteatrodieschilo