Technai e prerogative divine sulla scena del teatro di Eschilo*
The paper investigates so-called technai in Aeschylus’ works, particularly with regard to the role attributed to the Gods as primary, if not unique actors and discoverers of technical knowledge. From the detailed study of the vocabulary of the word techne and its connected forms, extended to all Aes...
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Format: | Article |
Language: | Italian |
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Salvatore Sciascia Editore
2017-12-01
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Series: | Mythos |
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Online Access: | http://journals.openedition.org/mythos/642 |
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author | Franco Giorgianni |
author_facet | Franco Giorgianni |
author_sort | Franco Giorgianni |
collection | DOAJ |
description | The paper investigates so-called technai in Aeschylus’ works, particularly with regard to the role attributed to the Gods as primary, if not unique actors and discoverers of technical knowledge. From the detailed study of the vocabulary of the word techne and its connected forms, extended to all Aeschylean dramas, a double meaning of technical knowledge emerges, a traditional as well as a specifically Promethean one. From this point of view, the dramatic plot described in Prometheus Bound seems to be particularly relevant in order to understand aspects of continuity and differences which underlie Greek thought and specifically Aeschylus’ on techne. The paper closes by a critical review of the following two passages of the Aeschylus’ work: Ag. v. 1129 and fr. 375 Radt. |
first_indexed | 2024-04-09T19:37:12Z |
format | Article |
id | doaj.art-ec21b7e11f2147f09fd53c29668976b0 |
institution | Directory Open Access Journal |
issn | 1972-2516 2037-7746 |
language | Italian |
last_indexed | 2024-04-09T19:37:12Z |
publishDate | 2017-12-01 |
publisher | Salvatore Sciascia Editore |
record_format | Article |
series | Mythos |
spelling | doaj.art-ec21b7e11f2147f09fd53c29668976b02023-04-04T09:49:28ZitaSalvatore Sciascia EditoreMythos1972-25162037-77462017-12-011113114410.4000/mythos.642Technai e prerogative divine sulla scena del teatro di Eschilo*Franco GiorgianniThe paper investigates so-called technai in Aeschylus’ works, particularly with regard to the role attributed to the Gods as primary, if not unique actors and discoverers of technical knowledge. From the detailed study of the vocabulary of the word techne and its connected forms, extended to all Aeschylean dramas, a double meaning of technical knowledge emerges, a traditional as well as a specifically Promethean one. From this point of view, the dramatic plot described in Prometheus Bound seems to be particularly relevant in order to understand aspects of continuity and differences which underlie Greek thought and specifically Aeschylus’ on techne. The paper closes by a critical review of the following two passages of the Aeschylus’ work: Ag. v. 1129 and fr. 375 Radt.http://journals.openedition.org/mythos/642technaiPrometheusAeschylusancient Greek drama and thoughtdivine and human qualities |
spellingShingle | Franco Giorgianni Technai e prerogative divine sulla scena del teatro di Eschilo* Mythos technai Prometheus Aeschylus ancient Greek drama and thought divine and human qualities |
title | Technai e prerogative divine sulla scena del teatro di Eschilo* |
title_full | Technai e prerogative divine sulla scena del teatro di Eschilo* |
title_fullStr | Technai e prerogative divine sulla scena del teatro di Eschilo* |
title_full_unstemmed | Technai e prerogative divine sulla scena del teatro di Eschilo* |
title_short | Technai e prerogative divine sulla scena del teatro di Eschilo* |
title_sort | technai e prerogative divine sulla scena del teatro di eschilo |
topic | technai Prometheus Aeschylus ancient Greek drama and thought divine and human qualities |
url | http://journals.openedition.org/mythos/642 |
work_keys_str_mv | AT francogiorgianni technaieprerogativedivinesullascenadelteatrodieschilo |