La evolución de la materia epistolar en la obra literaria de Marguerite Duras: Aurélia Steiner, la destrucción de la misiva
The presence of the epistolary material in Marguerite Duras’s literary work evolves from its canonical definition as a means of communication to its progressive problematization. In Aurélia Steiner (1979) the letter becomes the enunciation device of the narrative to materialize its destruction: the...
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| Format: | Article |
| Language: | Spanish |
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Asociación de Francesistas de la Universidad Española (AFUE)
2019-05-01
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| Series: | Çédille: Revista de Estudios Franceses |
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| Online Access: | http://cedille.webs.ull.es/15/18monterrubio.pdf |
| Summary: | The presence of the epistolary material in Marguerite Duras’s literary work evolves from its canonical definition as a means of communication to its progressive problematization. In Aurélia Steiner (1979) the letter becomes the enunciation device of the narrative to materialize its destruction: the epistolary sender becomes an I emptied of ipseity who writes to an impossible addressee. Both the call-invocation of the absent and the identity search fail. After this literary limit-experience, the epistolary material revives in the autobiographical space to generate its hybridization: with direct dialogue style in L'Homme atlantique and with narrative in Yann Andréa Steiner. |
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| ISSN: | 1699-4949 |