Cecidit flos: sul senso dei fiori appassiti

Isaiah 40: 6-8 contains the figure of the flower of the field, doomed to wither at the blowing of the divine breath. An immense exegetical tradition ensues, which comments on the ephemerality of any human distinction. This tradition intertwines, then, from the late Middle Ages on, with an equally ab...

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Main Author: Massimo Leone
Format: Article
Language:English
Published: Associazione Ocula 2020-07-01
Series:Ocula
Subjects:
Online Access:https://www.ocula.it/files/OCULA-23-LEONE-Cecidit-flos-sul-senso-dei-fiori-appassiti
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author Massimo Leone
author_facet Massimo Leone
author_sort Massimo Leone
collection DOAJ
description Isaiah 40: 6-8 contains the figure of the flower of the field, doomed to wither at the blowing of the divine breath. An immense exegetical tradition ensues, which comments on the ephemerality of any human distinction. This tradition intertwines, then, from the late Middle Ages on, with an equally abundant classical tradition, in Greek first, then in Latin, wherein the severed flower refers to the brutality of either war or love. Both traditions, the biblical and the classical one, merge in numerous literary texts, which multiply especially in early modernity. Drawing profusely from these textual series, the article seeks to seize in them some trends, in the frame of a semiotics of cultures, reading the figure of the flower through the methodology of generative semiotics.
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spelling doaj.art-ec8a451debc046c2a1023ec57c76155d2022-12-21T19:53:50ZengAssociazione OculaOcula1724-78102020-07-0121710.12977/ocula2020-32Cecidit flos: sul senso dei fiori appassitiMassimo Leone0Massimo Leone Dipartimento di filosofia e scienze dell'educazione, Università di Torino (IT); Dipartimento di Lingua e Letteratura Cinese, Università di ShanghaiIsaiah 40: 6-8 contains the figure of the flower of the field, doomed to wither at the blowing of the divine breath. An immense exegetical tradition ensues, which comments on the ephemerality of any human distinction. This tradition intertwines, then, from the late Middle Ages on, with an equally abundant classical tradition, in Greek first, then in Latin, wherein the severed flower refers to the brutality of either war or love. Both traditions, the biblical and the classical one, merge in numerous literary texts, which multiply especially in early modernity. Drawing profusely from these textual series, the article seeks to seize in them some trends, in the frame of a semiotics of cultures, reading the figure of the flower through the methodology of generative semiotics.https://www.ocula.it/files/OCULA-23-LEONE-Cecidit-flos-sul-senso-dei-fiori-appassitifiore appassitobibbialetteratura cristiana anticaletteratura medievaleletteratura rinascimentalewithered flowerbibleearly christian literaturemedieval literaturerenaissance literature
spellingShingle Massimo Leone
Cecidit flos: sul senso dei fiori appassiti
Ocula
fiore appassito
bibbia
letteratura cristiana antica
letteratura medievale
letteratura rinascimentale
withered flower
bible
early christian literature
medieval literature
renaissance literature
title Cecidit flos: sul senso dei fiori appassiti
title_full Cecidit flos: sul senso dei fiori appassiti
title_fullStr Cecidit flos: sul senso dei fiori appassiti
title_full_unstemmed Cecidit flos: sul senso dei fiori appassiti
title_short Cecidit flos: sul senso dei fiori appassiti
title_sort cecidit flos sul senso dei fiori appassiti
topic fiore appassito
bibbia
letteratura cristiana antica
letteratura medievale
letteratura rinascimentale
withered flower
bible
early christian literature
medieval literature
renaissance literature
url https://www.ocula.it/files/OCULA-23-LEONE-Cecidit-flos-sul-senso-dei-fiori-appassiti
work_keys_str_mv AT massimoleone ceciditflossulsensodeifioriappassiti