PİR SULTAN ABDAL’IN ŞİİRLERİNDE TURNA MOTİFİ* TURNA MOTION IN PIR SULTAN ABDAL

In this study, one of the important building blocks of Turkish literature, which is known in a wide range of geography, especially in Anatolia, the motive of crane in the poetry of Pir Sultan Abdal who has been transformed into a legend in the language of the people with its life and personality...

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Main Author: Fatma PINAR KUZU
Format: Article
Language:deu
Published: Ankara Haci Bayram Veli University 2018-12-01
Series:Türk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi
Online Access:http://www.hbvdergisi.gazi.edu.tr/index.php/TKHBVD/article/view/2396/1670
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author Fatma PINAR KUZU
author_facet Fatma PINAR KUZU
author_sort Fatma PINAR KUZU
collection DOAJ
description In this study, one of the important building blocks of Turkish literature, which is known in a wide range of geography, especially in Anatolia, the motive of crane in the poetry of Pir Sultan Abdal who has been transformed into a legend in the language of the people with its life and personality is examined. According to the widespread understanding in Anatolia, cranes are seen as the symbol of purity, abundance, happiness, cleanliness, faith, patience and freedom. For this reason, the crane motive has an important place in folk tales, folk and divan poetry, folk songs, Alevi-Bektashi beliefs and literature. Therefore, this bird considered sacred, has become the symbol of the people accepted in the literature of Alevism-Bektashi, especially Hz. Ali. For about two thousand years, Crane has ensured communication between the homesickness and the expatriate, representing the most valued and loved people. In the Hacı Bektaş Veli Velayetnâmesi, the first Muslim Turkish sufi, Ahmed Yesevi, was registered as ’crane frost. Besides, Pir Sultan Abdal, regarded as Great by the Alevi people, frequently used the crane in his poems. Pir Sultan has been the most researched poet ever among the “Seven Great Poets”. As it is a very popular poet, it has been found that the ”Pir Sultan Abdal” tradition has been formed in Anatolia and the the pseudonym Pir Sultan was used by at least six poets. The poet, whose poem was identified in this study is Pir Sultan whose real name was Haydar who was born in Banaz village of Yıldızeli district in the beginning of 16th century. In this study, the, crane motive found in the poems belonging to Pir Sultan, which was compiled by İbrahim Aslanoğlu and Cahit Öztelli, was tried to be explained by the characteristics of the 16th century and the Alevi-Bektashi beliefs and rituals.
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spelling doaj.art-ec9ffc0d104040d68d23adb9aca4eec32023-02-15T16:10:59ZdeuAnkara Haci Bayram Veli UniversityTürk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi1306-82532147-98952018-12-0188PİR SULTAN ABDAL’IN ŞİİRLERİNDE TURNA MOTİFİ* TURNA MOTION IN PIR SULTAN ABDALFatma PINAR KUZUIn this study, one of the important building blocks of Turkish literature, which is known in a wide range of geography, especially in Anatolia, the motive of crane in the poetry of Pir Sultan Abdal who has been transformed into a legend in the language of the people with its life and personality is examined. According to the widespread understanding in Anatolia, cranes are seen as the symbol of purity, abundance, happiness, cleanliness, faith, patience and freedom. For this reason, the crane motive has an important place in folk tales, folk and divan poetry, folk songs, Alevi-Bektashi beliefs and literature. Therefore, this bird considered sacred, has become the symbol of the people accepted in the literature of Alevism-Bektashi, especially Hz. Ali. For about two thousand years, Crane has ensured communication between the homesickness and the expatriate, representing the most valued and loved people. In the Hacı Bektaş Veli Velayetnâmesi, the first Muslim Turkish sufi, Ahmed Yesevi, was registered as ’crane frost. Besides, Pir Sultan Abdal, regarded as Great by the Alevi people, frequently used the crane in his poems. Pir Sultan has been the most researched poet ever among the “Seven Great Poets”. As it is a very popular poet, it has been found that the ”Pir Sultan Abdal” tradition has been formed in Anatolia and the the pseudonym Pir Sultan was used by at least six poets. The poet, whose poem was identified in this study is Pir Sultan whose real name was Haydar who was born in Banaz village of Yıldızeli district in the beginning of 16th century. In this study, the, crane motive found in the poems belonging to Pir Sultan, which was compiled by İbrahim Aslanoğlu and Cahit Öztelli, was tried to be explained by the characteristics of the 16th century and the Alevi-Bektashi beliefs and rituals.http://www.hbvdergisi.gazi.edu.tr/index.php/TKHBVD/article/view/2396/1670
spellingShingle Fatma PINAR KUZU
PİR SULTAN ABDAL’IN ŞİİRLERİNDE TURNA MOTİFİ* TURNA MOTION IN PIR SULTAN ABDAL
Türk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi
title PİR SULTAN ABDAL’IN ŞİİRLERİNDE TURNA MOTİFİ* TURNA MOTION IN PIR SULTAN ABDAL
title_full PİR SULTAN ABDAL’IN ŞİİRLERİNDE TURNA MOTİFİ* TURNA MOTION IN PIR SULTAN ABDAL
title_fullStr PİR SULTAN ABDAL’IN ŞİİRLERİNDE TURNA MOTİFİ* TURNA MOTION IN PIR SULTAN ABDAL
title_full_unstemmed PİR SULTAN ABDAL’IN ŞİİRLERİNDE TURNA MOTİFİ* TURNA MOTION IN PIR SULTAN ABDAL
title_short PİR SULTAN ABDAL’IN ŞİİRLERİNDE TURNA MOTİFİ* TURNA MOTION IN PIR SULTAN ABDAL
title_sort pir sultan abdal in siirlerinde turna motifi turna motion in pir sultan abdal
url http://www.hbvdergisi.gazi.edu.tr/index.php/TKHBVD/article/view/2396/1670
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