Wat sê die swyende Kubaan vandag vir ons? Oor konflikliteratuur

The escalation of conflict and its representation in the media have an overwhelming effect on society. Re-reading Etienne van Heerden’s seminal short story, “My Kubaan”, may help rectify negative responses to violence, including enforced silence, as portrayed in literature and related art forms. Th...

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Main Author: George Weideman
Format: Article
Language:English
Published: University of the Free State 2004-04-01
Series:Acta Academica
Online Access:https://journals.ufs.ac.za/index.php/aa/article/view/818
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author George Weideman
author_facet George Weideman
author_sort George Weideman
collection DOAJ
description The escalation of conflict and its representation in the media have an overwhelming effect on society. Re-reading Etienne van Heerden’s seminal short story, “My Kubaan”, may help rectify negative responses to violence, including enforced silence, as portrayed in literature and related art forms. The term “literature of conflict”, the historiographical aspects of the text, the relevance of this kind of text and the eroticism of violence are investigated and illustrated by texts showing that in a war situation there are only victims, and that writers write in solidarity with those manipulated into silence. Possible explanations for the Cuban’s “silence” are given. The universality of “My Kubaan” is echoed in recent texts depicting the futility of war and the culture of violence.
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spelling doaj.art-edaf9baa8c6144ee8f09f461768ad8362024-03-07T11:13:46ZengUniversity of the Free StateActa Academica0587-24052415-04792004-04-01361Wat sê die swyende Kubaan vandag vir ons? Oor konflikliteratuurGeorge Weideman0University of the Free State The escalation of conflict and its representation in the media have an overwhelming effect on society. Re-reading Etienne van Heerden’s seminal short story, “My Kubaan”, may help rectify negative responses to violence, including enforced silence, as portrayed in literature and related art forms. The term “literature of conflict”, the historiographical aspects of the text, the relevance of this kind of text and the eroticism of violence are investigated and illustrated by texts showing that in a war situation there are only victims, and that writers write in solidarity with those manipulated into silence. Possible explanations for the Cuban’s “silence” are given. The universality of “My Kubaan” is echoed in recent texts depicting the futility of war and the culture of violence. https://journals.ufs.ac.za/index.php/aa/article/view/818
spellingShingle George Weideman
Wat sê die swyende Kubaan vandag vir ons? Oor konflikliteratuur
Acta Academica
title Wat sê die swyende Kubaan vandag vir ons? Oor konflikliteratuur
title_full Wat sê die swyende Kubaan vandag vir ons? Oor konflikliteratuur
title_fullStr Wat sê die swyende Kubaan vandag vir ons? Oor konflikliteratuur
title_full_unstemmed Wat sê die swyende Kubaan vandag vir ons? Oor konflikliteratuur
title_short Wat sê die swyende Kubaan vandag vir ons? Oor konflikliteratuur
title_sort wat se die swyende kubaan vandag vir ons oor konflikliteratuur
url https://journals.ufs.ac.za/index.php/aa/article/view/818
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