Contesting Extractivism through Amazonian Indigenous Artivism: Decolonial reflections on possibilities for crafting a pluriverse from within

This article provides an analysis of Amazonian Indigenous peoples’ “artivism” – understood as artistic expressions with activist orientation. It approaches artivism within the context of the emergence of Contemporary Indigenous Art in Brazil and its significance in the resistance against the centur...

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Main Authors: Bartira Silva Fortes, Juliana Porsani, Rickard Lalander
Format: Article
Language:English
Published: University of Warwick 2023-07-01
Series:Alternautas
Subjects:
Online Access:https://localhost/index.php/alternautas/article/view/1300
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author Bartira Silva Fortes
Juliana Porsani
Rickard Lalander
author_facet Bartira Silva Fortes
Juliana Porsani
Rickard Lalander
author_sort Bartira Silva Fortes
collection DOAJ
description This article provides an analysis of Amazonian Indigenous peoples’ “artivism” – understood as artistic expressions with activist orientation. It approaches artivism within the context of the emergence of Contemporary Indigenous Art in Brazil and its significance in the resistance against the centuries-long oppression of native peoples, illustrated by the advancement of extractivism in the Amazon. We focus on the artworks by four prominent Indigenous artivists: Jaider Esbell’s critical engagements with art history; Denilson Baniwa’s reanthropophagy movement; Daiara Tukano’s critique of articide; and Emerson Pontes’ transformation into Uýra, the Walking Tree. Altogether, the messages embedded in their artworks contest the dominant growth-oriented development narrative anchored on the pre-eminence of the human-nature ontological dualism, where Nature is reduced to economic resource, along with a view of development that positions western ways of knowing, being and living at the forefront of a civilizational continuum. We conclude by elucidating the central decolonizing role of Indigenous artivism and its potential to strengthen Indigenous’ voices and agendas which include exercising self-determination, resisting extractivism, and crafting more plural and just worlds.
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spelling doaj.art-edb01ac5b3f34136ab35658ae37774092023-07-29T01:40:06ZengUniversity of WarwickAlternautas2057-49242023-07-0110110.31273/an.v10i1.1300Contesting Extractivism through Amazonian Indigenous Artivism: Decolonial reflections on possibilities for crafting a pluriverse from withinBartira Silva Fortes0Juliana Porsani1Rickard Lalander2Department of Environment, Development and Sustainability Studies - Södertörn UniversityDepartment of Environment, Development and Sustainability Studies - Södertörn UniversityDepartment of Environment, Development and Sustainability Studies - Södertörn University This article provides an analysis of Amazonian Indigenous peoples’ “artivism” – understood as artistic expressions with activist orientation. It approaches artivism within the context of the emergence of Contemporary Indigenous Art in Brazil and its significance in the resistance against the centuries-long oppression of native peoples, illustrated by the advancement of extractivism in the Amazon. We focus on the artworks by four prominent Indigenous artivists: Jaider Esbell’s critical engagements with art history; Denilson Baniwa’s reanthropophagy movement; Daiara Tukano’s critique of articide; and Emerson Pontes’ transformation into Uýra, the Walking Tree. Altogether, the messages embedded in their artworks contest the dominant growth-oriented development narrative anchored on the pre-eminence of the human-nature ontological dualism, where Nature is reduced to economic resource, along with a view of development that positions western ways of knowing, being and living at the forefront of a civilizational continuum. We conclude by elucidating the central decolonizing role of Indigenous artivism and its potential to strengthen Indigenous’ voices and agendas which include exercising self-determination, resisting extractivism, and crafting more plural and just worlds. https://localhost/index.php/alternautas/article/view/1300contemporary artdecolonialityreanthropophagysocioenvironmental justicesustainable developmentindigenous epistemologies and ontologies
spellingShingle Bartira Silva Fortes
Juliana Porsani
Rickard Lalander
Contesting Extractivism through Amazonian Indigenous Artivism: Decolonial reflections on possibilities for crafting a pluriverse from within
Alternautas
contemporary art
decoloniality
reanthropophagy
socioenvironmental justice
sustainable development
indigenous epistemologies and ontologies
title Contesting Extractivism through Amazonian Indigenous Artivism: Decolonial reflections on possibilities for crafting a pluriverse from within
title_full Contesting Extractivism through Amazonian Indigenous Artivism: Decolonial reflections on possibilities for crafting a pluriverse from within
title_fullStr Contesting Extractivism through Amazonian Indigenous Artivism: Decolonial reflections on possibilities for crafting a pluriverse from within
title_full_unstemmed Contesting Extractivism through Amazonian Indigenous Artivism: Decolonial reflections on possibilities for crafting a pluriverse from within
title_short Contesting Extractivism through Amazonian Indigenous Artivism: Decolonial reflections on possibilities for crafting a pluriverse from within
title_sort contesting extractivism through amazonian indigenous artivism decolonial reflections on possibilities for crafting a pluriverse from within
topic contemporary art
decoloniality
reanthropophagy
socioenvironmental justice
sustainable development
indigenous epistemologies and ontologies
url https://localhost/index.php/alternautas/article/view/1300
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AT rickardlalander contestingextractivismthroughamazonianindigenousartivismdecolonialreflectionsonpossibilitiesforcraftingapluriversefromwithin