La figuración autorial de Castillo Solórzano
Heir to a great extent to Lope, regular attender of the printing press and cultivator of almost all genres, Castillo Solórzano offers a propitious field for the analysis of self-representation strategies. These strategies are analyzed considering his publication sequence (from the notion of literary...
Main Authors: | , , |
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Format: | Article |
Language: | Spanish |
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Presses universitaires du Mirail
2019-06-01
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Series: | Criticón |
Subjects: | |
Online Access: | http://journals.openedition.org/criticon/5708 |
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author | Carlos M. Collantes Sánchez Emre Özmen Pedro Ruiz Pérez |
author_facet | Carlos M. Collantes Sánchez Emre Özmen Pedro Ruiz Pérez |
author_sort | Carlos M. Collantes Sánchez |
collection | DOAJ |
description | Heir to a great extent to Lope, regular attender of the printing press and cultivator of almost all genres, Castillo Solórzano offers a propitious field for the analysis of self-representation strategies. These strategies are analyzed considering his publication sequence (from the notion of literary career), his sociability network, the field positions that he establishes in his prologues and, finally, his burlesque portraits published in his early volumes of poetry. Thus, this analysis permits to reveal a writing project and its various forms of affirmation. |
first_indexed | 2024-12-10T15:17:17Z |
format | Article |
id | doaj.art-edb544470b074a38ae6050ea70ef3b0f |
institution | Directory Open Access Journal |
issn | 0247-381X |
language | Spanish |
last_indexed | 2024-12-10T15:17:17Z |
publishDate | 2019-06-01 |
publisher | Presses universitaires du Mirail |
record_format | Article |
series | Criticón |
spelling | doaj.art-edb544470b074a38ae6050ea70ef3b0f2022-12-22T01:43:47ZspaPresses universitaires du MirailCriticón0247-381X2019-06-0113552710.4000/criticon.5708La figuración autorial de Castillo SolórzanoCarlos M. Collantes SánchezEmre ÖzmenPedro Ruiz PérezHeir to a great extent to Lope, regular attender of the printing press and cultivator of almost all genres, Castillo Solórzano offers a propitious field for the analysis of self-representation strategies. These strategies are analyzed considering his publication sequence (from the notion of literary career), his sociability network, the field positions that he establishes in his prologues and, finally, his burlesque portraits published in his early volumes of poetry. Thus, this analysis permits to reveal a writing project and its various forms of affirmation.http://journals.openedition.org/criticon/5708Castillo Solórzano Alonso deprintingsociabilityburlesque portraitself-representation |
spellingShingle | Carlos M. Collantes Sánchez Emre Özmen Pedro Ruiz Pérez La figuración autorial de Castillo Solórzano Criticón Castillo Solórzano Alonso de printing sociability burlesque portrait self-representation |
title | La figuración autorial de Castillo Solórzano |
title_full | La figuración autorial de Castillo Solórzano |
title_fullStr | La figuración autorial de Castillo Solórzano |
title_full_unstemmed | La figuración autorial de Castillo Solórzano |
title_short | La figuración autorial de Castillo Solórzano |
title_sort | la figuracion autorial de castillo solorzano |
topic | Castillo Solórzano Alonso de printing sociability burlesque portrait self-representation |
url | http://journals.openedition.org/criticon/5708 |
work_keys_str_mv | AT carlosmcollantessanchez lafiguracionautorialdecastillosolorzano AT emreozmen lafiguracionautorialdecastillosolorzano AT pedroruizperez lafiguracionautorialdecastillosolorzano |