De fureur et de sang
A focus on the practical use of blood and its metaphorical evocation offers the opportunity for a reinterpretation of the mutations, plurality and rivalry on the Western art scene of the 1970s through the prism of the questioning of gender and denunciations of latent and invisible discrimination. Fo...
| Main Authors: | , |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
École du Louvre
2020-11-01
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| Series: | Les Cahiers de l'École du Louvre |
| Subjects: | |
| Online Access: | http://journals.openedition.org/cel/8546 |
| _version_ | 1818838889814556672 |
|---|---|
| author | Léa Jaurégui Jeanne Mathas |
| author_facet | Léa Jaurégui Jeanne Mathas |
| author_sort | Léa Jaurégui |
| collection | DOAJ |
| description | A focus on the practical use of blood and its metaphorical evocation offers the opportunity for a reinterpretation of the mutations, plurality and rivalry on the Western art scene of the 1970s through the prism of the questioning of gender and denunciations of latent and invisible discrimination. Focusing on a number of emblematic works by female artists, the analysis endeavours to elucidate the entanglement of feminist struggles in and on the margins of aesthetic tendencies formed – through shared militant commitment – of common values but above all their intractable plastic variety. |
| first_indexed | 2024-12-19T03:45:34Z |
| format | Article |
| id | doaj.art-edc43d5b6e054ba8b290860b1d83ecab |
| institution | Directory Open Access Journal |
| issn | 2262-208X |
| language | fra |
| last_indexed | 2024-12-19T03:45:34Z |
| publishDate | 2020-11-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj.art-edc43d5b6e054ba8b290860b1d83ecab2022-12-21T20:37:08ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2020-11-011510.4000/cel.8546De fureur et de sangLéa JauréguiJeanne MathasA focus on the practical use of blood and its metaphorical evocation offers the opportunity for a reinterpretation of the mutations, plurality and rivalry on the Western art scene of the 1970s through the prism of the questioning of gender and denunciations of latent and invisible discrimination. Focusing on a number of emblematic works by female artists, the analysis endeavours to elucidate the entanglement of feminist struggles in and on the margins of aesthetic tendencies formed – through shared militant commitment – of common values but above all their intractable plastic variety.http://journals.openedition.org/cel/8546Bloodwoundsmenstruationsgenderfeminismemancipation |
| spellingShingle | Léa Jaurégui Jeanne Mathas De fureur et de sang Les Cahiers de l'École du Louvre Blood wounds menstruations gender feminism emancipation |
| title | De fureur et de sang |
| title_full | De fureur et de sang |
| title_fullStr | De fureur et de sang |
| title_full_unstemmed | De fureur et de sang |
| title_short | De fureur et de sang |
| title_sort | de fureur et de sang |
| topic | Blood wounds menstruations gender feminism emancipation |
| url | http://journals.openedition.org/cel/8546 |
| work_keys_str_mv | AT leajauregui defureuretdesang AT jeannemathas defureuretdesang |