Apt Perception, Aesthetic Engagement, and Curatorial Practices

This paper applies the account developed by Susanna Siegel in The Rationality of Perception to aesthetic cases and explores the implications of such an account for aesthetic engagement as well as curatorial and exhibitionary practices. It argues that one’s prior outlook – expertise, beliefs, desires...

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Main Authors: Emine Hande Tuna, Octavian Ion
Format: Article
Language:English
Published: Helsinki University Press 2024-03-01
Series:Estetika
Subjects:
Online Access:https://account.estetikajournal.org/index.php/uh-j-eteja/article/view/352
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author Emine Hande Tuna
Octavian Ion
author_facet Emine Hande Tuna
Octavian Ion
author_sort Emine Hande Tuna
collection DOAJ
description This paper applies the account developed by Susanna Siegel in The Rationality of Perception to aesthetic cases and explores the implications of such an account for aesthetic engagement as well as curatorial and exhibitionary practices. It argues that one’s prior outlook – expertise, beliefs, desires, fears, preferences, attitudes – can have both aesthetically good and bad influences on perceptual experiences, just as it can have both epistemically good and bad influences. Analysing these bad influences in cases of ‘hijacked’ aesthetic perception will reveal that, unless we recognize that our perception of high-level and low-level aesthetically relevant properties is norm-governed, we will be at a loss to explain what goes wrong in these cases. Just as perception can be rational or irrational, so too can it be apt or inapt.
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spelling doaj.art-edd0f96c1c8b4c66a8e161c4adbb1aa52024-04-17T06:43:36ZengHelsinki University PressEstetika2571-09152024-03-0161138–5338–5310.33134/eeja.352363Apt Perception, Aesthetic Engagement, and Curatorial PracticesEmine Hande Tuna0https://orcid.org/0000-0002-7664-6401Octavian Ion1University of California Santa CruzIndependent scholarThis paper applies the account developed by Susanna Siegel in The Rationality of Perception to aesthetic cases and explores the implications of such an account for aesthetic engagement as well as curatorial and exhibitionary practices. It argues that one’s prior outlook – expertise, beliefs, desires, fears, preferences, attitudes – can have both aesthetically good and bad influences on perceptual experiences, just as it can have both epistemically good and bad influences. Analysing these bad influences in cases of ‘hijacked’ aesthetic perception will reveal that, unless we recognize that our perception of high-level and low-level aesthetically relevant properties is norm-governed, we will be at a loss to explain what goes wrong in these cases. Just as perception can be rational or irrational, so too can it be apt or inapt.https://account.estetikajournal.org/index.php/uh-j-eteja/article/view/352perceptioninstallation artart curationaesthetic normativity
spellingShingle Emine Hande Tuna
Octavian Ion
Apt Perception, Aesthetic Engagement, and Curatorial Practices
Estetika
perception
installation art
art curation
aesthetic normativity
title Apt Perception, Aesthetic Engagement, and Curatorial Practices
title_full Apt Perception, Aesthetic Engagement, and Curatorial Practices
title_fullStr Apt Perception, Aesthetic Engagement, and Curatorial Practices
title_full_unstemmed Apt Perception, Aesthetic Engagement, and Curatorial Practices
title_short Apt Perception, Aesthetic Engagement, and Curatorial Practices
title_sort apt perception aesthetic engagement and curatorial practices
topic perception
installation art
art curation
aesthetic normativity
url https://account.estetikajournal.org/index.php/uh-j-eteja/article/view/352
work_keys_str_mv AT eminehandetuna aptperceptionaestheticengagementandcuratorialpractices
AT octavianion aptperceptionaestheticengagementandcuratorialpractices