THE SHORT HAPPY LIFE OF A GEOGRAPHY OF THE COMMONS. JAZZ AND THE INVENTION OF AFRICA

This research focuses on a key epoch in which an essential articulation between history, geography, politics and music allowed for a short time a radical opening of invention and emancipation. The 1960s not only deconstructed the conservative ideologies of the previous decades, but through such a su...

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Main Author: Horea POENAR
Format: Article
Language:English
Published: Babes-Bolyai University, Cluj-Napoca 2022-05-01
Series:Territorial Identity and Development
Subjects:
Online Access:http://territorial-identity.ro/wp-content/uploads/2022/05/3_Poenar_TID_1_2022.pdf
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author Horea POENAR
author_facet Horea POENAR
author_sort Horea POENAR
collection DOAJ
description This research focuses on a key epoch in which an essential articulation between history, geography, politics and music allowed for a short time a radical opening of invention and emancipation. The 1960s not only deconstructed the conservative ideologies of the previous decades, but through such a subtraction made possible a different discourse about universalism and about the commons. My investigation connects political events (like the independence of some African states or the fight for racial and social justice) to musical events (like free jazz) in order to advance the hypothesis not only of a potential history (a concept already defined by Ariella Azoulay in 2019), but also of a potential geography. Such a geography represented an opening that allowed the imagination of an authentic existence of the commons, a dimension that seems now to have been lost, but that would be and is worth re-enacting.
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spelling doaj.art-eddb9b0be11d403eb7ebf129aa8607e72023-06-14T07:41:23ZengBabes-Bolyai University, Cluj-NapocaTerritorial Identity and Development2537-48502022-05-0171375410.23740/TID120223THE SHORT HAPPY LIFE OF A GEOGRAPHY OF THE COMMONS. JAZZ AND THE INVENTION OF AFRICAHorea POENAR0https://orcid.org/0000-0002-6090-8841Babeș-Bolyai University, Faculty of Letters, Cluj-Napoca, ROMANIAThis research focuses on a key epoch in which an essential articulation between history, geography, politics and music allowed for a short time a radical opening of invention and emancipation. The 1960s not only deconstructed the conservative ideologies of the previous decades, but through such a subtraction made possible a different discourse about universalism and about the commons. My investigation connects political events (like the independence of some African states or the fight for racial and social justice) to musical events (like free jazz) in order to advance the hypothesis not only of a potential history (a concept already defined by Ariella Azoulay in 2019), but also of a potential geography. Such a geography represented an opening that allowed the imagination of an authentic existence of the commons, a dimension that seems now to have been lost, but that would be and is worth re-enacting. http://territorial-identity.ro/wp-content/uploads/2022/05/3_Poenar_TID_1_2022.pdfpotential geographymusical geographycommonsinventionjazz
spellingShingle Horea POENAR
THE SHORT HAPPY LIFE OF A GEOGRAPHY OF THE COMMONS. JAZZ AND THE INVENTION OF AFRICA
Territorial Identity and Development
potential geography
musical geography
commons
invention
jazz
title THE SHORT HAPPY LIFE OF A GEOGRAPHY OF THE COMMONS. JAZZ AND THE INVENTION OF AFRICA
title_full THE SHORT HAPPY LIFE OF A GEOGRAPHY OF THE COMMONS. JAZZ AND THE INVENTION OF AFRICA
title_fullStr THE SHORT HAPPY LIFE OF A GEOGRAPHY OF THE COMMONS. JAZZ AND THE INVENTION OF AFRICA
title_full_unstemmed THE SHORT HAPPY LIFE OF A GEOGRAPHY OF THE COMMONS. JAZZ AND THE INVENTION OF AFRICA
title_short THE SHORT HAPPY LIFE OF A GEOGRAPHY OF THE COMMONS. JAZZ AND THE INVENTION OF AFRICA
title_sort short happy life of a geography of the commons jazz and the invention of africa
topic potential geography
musical geography
commons
invention
jazz
url http://territorial-identity.ro/wp-content/uploads/2022/05/3_Poenar_TID_1_2022.pdf
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