New information on the 19th century provenance of Albertinelli's Old Testament cycle
Analysis of the correspondence of Bishop J. J. Strossmayer and his agents, and of W. Buchanan and his agents, has provided new evidence of the 19th century provenance of Mariotto Albertinelli's paintings The Expulsion from Paradise in the Strossmayer Gallery in Zagreb, and The Creation and Fall...
| Main Authors: | , |
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| Format: | Article |
| Language: | deu |
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International Association of Research Institutes in the History of Art (RIHA)
2012-02-01
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| Series: | RIHA Journal |
| Subjects: | |
| Online Access: | http://www.riha-journal.org/articles/2012/2012-jan-mar/dulibic-pasini-trzec-albertinelli-old-testament-cycle |
| Summary: | Analysis of the correspondence of Bishop J. J. Strossmayer and his agents, and of W. Buchanan and his agents, has provided new evidence of the 19th century provenance of Mariotto Albertinelli's paintings The Expulsion from Paradise in the Strossmayer Gallery in Zagreb, and The Creation and Fall of Man in the Courtauld Institute of Art Gallery in London. The material analysed provides an insight into the then common practice of fragmenting artworks, sometimes very violently, and enables a revision of some assumptions and claims concerning the fate of the two paintings by Albertinelli, ultimately suggesting some guidelines for conclusions as to the original appearance of his Old Testament cycle. |
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| ISSN: | 2190-3328 2190-3328 |